It was only natural that Asshur being deified, his appendages should be deified also. “Beltus,” says Inman, “was the goddess associated with them, the four together made up Arba or Arba-il, the four great gods,” the Trinity in Unity. The idea thus broached receives great confirmation when we examine the particular stress laid in ancient times respecting the right and left side of the body in connection with the Triad names given to offspring mentioned in the scriptures with the titles given to Anu and Hea. The male or active principle was typified by the idea of “solidity” and “firmness,” and the females or passive by the principles of “water,” “softness,” and other feminine principles. Thus the goddess Hea was associated with water, and according to Forlong, the Serpent, the ruler of the Abyss, was sometimes represented to be the great Hea, without whom there was no creation or life, and whose godhead embraced also the female element water. Rawlinson also gives a similar conclusion, and states as far as he could determine the third divinity or left side was named Hea, and he considered this deity to correspond to Neptune. Neptune was the presiding deity of the deep, ruler of the abyss, and king of the rivers. As Darwin and his coadjutors teach, mankind, in common with all animal life, originally sprung from the sea; so physiology teaches that each individual had origin in a pond of water. The fruit of man is both solid and fluid. It was natural to imagine that the two male appendages had a distinct duty, that one formed the infant, the other water in which it lived, that one generated the male, the other the female offspring; and the inference was then drawn that water must be feminine, the emblem of all possible powers of creation. It will be seen that the names and signification of the gods and their attributes had no ideal meaning. Thus in Genesis xxx. 13, we find Asher given as a personality, which signifies “to be straight,” “upright,” “fortunate,” “happy.” Asher was the supreme god of the Assyrians, the Vedic Mahadeva, the emblem of the human male structure and creative energy. The same idea of the creator is still to be seen in India, Egypt, Phœnicia, the Mediterranean, Europe, and Denmark, depicted on stone relics. To a rude and ignorant people, enslaved with such a religion, it was an easy step from the crude to the more refined sign, from the offensive to a more pictured and less obnoxious symbol, from the plain and self-evident to the mixed, disguised, and mystified, from the unclothed privy member to the cross. THE CROSS