Phantastes: A Faerie Romance for Men and WomenMacDonald, George
Science
Phantastes: A Faerie Romance for Men and Women
MacDonald, George
Fantasy fiction
dream-realm of joy, the central form of which was everywhere present,
although unbeheld. Then, remembering how my songs seemed to have called
her from the marble, piercing through the pearly shroud of
alabaster—“Why,” thought I, “should not my voice reach her now, through
the ebon night that inwraps her.” My voice burst into song so
spontaneously that it seemed involuntarily.
“Not a sound
But, echoing in me,
Vibrates all around
With a blind delight,
Till it breaks on Thee,
Queen of Night!
Every tree,
O’ershadowing with gloom,
Seems to cover thee
Secret, dark, love-still’d,
In a holy room
Silence-filled.
“Let no moon
Creep up the heaven to-night;
I in darksome noon
Walking hopefully,
Seek my shrouded light—
Grope for thee!
“Darker grow
The borders of the dark!
Through the branches glow,
From the roof above,
Star and diamond-sparks
Light for love.”
Scarcely had the last sounds floated away from the hearing of my own
ears, when I heard instead a low delicious laugh near me. It was not
the laugh of one who would not be heard, but the laugh of one who has
just received something long and patiently desired—a laugh that ends in
a low musical moan. I started, and, turning sideways, saw a dim white
figure seated beside an intertwining thicket of smaller trees and
underwood.
“It is my white lady!” I said, and flung myself on the ground beside
her; striving, through the gathering darkness, to get a glimpse of the
form which had broken its marble prison at my call.
“It is your white lady!” said the sweetest voice, in reply, sending a
thrill of speechless delight through a heart which all the love-charms
of the preceding day and evening had been tempering for this
culminating hour. Yet, if I would have confessed it, there was
something either in the sound of the voice, although it seemed
sweetness itself, or else in this yielding which awaited no gradation
of gentle approaches, that did not vibrate harmoniously with the beat
of my inward music. And likewise, when, taking her hand in mine, I drew
closer to her, looking for the beauty of her face, which, indeed, I
found too plenteously, a cold shiver ran through me; but “it is the
marble,” I said to myself, and heeded it not.
She withdrew her hand from mine, and after that would scarce allow me
to touch her. It seemed strange, after the fulness of her first
greeting, that she could not trust me to come close to her. Though her
words were those of a lover, she kept herself withdrawn as if a mile of
space interposed between us.
“Why did you run away from me when you woke in the cave?” I said.
“Did I?” she returned. “That was very unkind of me; but I did not know
better.”
“I wish I could see you. The night is very dark.”
“So it is. Come to my grotto. There is light there.”
“Have you another cave, then?”
“Come and see.”
Public-domain text, read in full here on John Shaqi.
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