Phantom Fortune, a NovelBraddon, M. E. (Mary Elizabeth)
General
Phantom Fortune, a Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
In those days Fellside House was a very different kind of dwelling from
the gracious modern Tudor mansion which now crowned and beautified the
hill-side above Grasmere Lake. It was then an old rambling stone house,
with queer little rooms and inconvenient passages, low ceilings,
thatched gables, and all manner of strange nooks and corners. Lady
Maulevrier was of too strictly conservative a temper to think of
pulling down an old house which had been in her husband's family for
generations. She left the original cottage undisturbed, and built her
new house at right angles with it, connecting the two with a wide
passage below and a handsome corridor above, so that access should be
perfect in the event of her requiring the accommodation of the old
quaint, low ceiled rooms for her family or her guests. During forty
years no such necessity had ever arisen; but the old house, known as the
south wing, was still left intact, the original furniture undisturbed,
although the only occupants of the building were her ladyship's faithful
old house-steward, James Steadman, and his elderly wife.
The house which Lady Maulevrier had built for herself and her
grandchildren had not been created all at once, though the nucleus
dating forty years back was a handsome building. She had added more
rooms as necessity or fancy dictated, now a library with bedrooms over
it, now a music room for Lady Lesbia and her grand piano--anon a
billiard-room, as an agreeable surprise for Maulevrier when he came home
after a tour in America. Thus the house had grown into a long low pile
of Tudor masonry--steep gables, heavily mullioned casements, grey stone
walls, curtained with the rich growth of passion-flower, magnolia,
clematis, myrtle and roses--and all those flowers which thrive and
flourish in that mild and sheltered spot.
The views from those mullioned casements were perfect. Switzerland could
give hardly any more exquisite picture than that lake shut in by hills,
grand and bold in their varied outlines, so rich in their colouring that
the eye, dazzled with beauty, forgot to calculate the actual height of
those craggy peaks and headlands, the mind forgot to despise them
because they were not so lofty as Mont Blanc or the Matterhorn. The
velvet sward of the hill sloped steeply downward from Lady Maulevrier's
drawing-room windows to the road beside the lake, and this road was so
hidden by the wooded screen which bounded her ladyship's grounds that
the lake seemed to lie in the green heart of her gardens, a lovely,
placid lake on summer days, reflecting the emerald hue of the
surrounding hills, and looking like a smooth green meadow, which invited
the foot passenger to cross it.
Public-domain text, read in full here on John Shaqi.
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