"So, a little ago, I lit the peats, which had smouldered into ash; and
now, bonnie wee doo, I will be making the porridge for you, and see ...
the water is boiling that is in the kettle, and I'm thinking it is
singing _Oona, Oona, mochree, Oona, Oona, mochree, come and be having
the food with poor Nial_! And, Oona, look you, there is the warm milk,
and the bread; for I milked the brown cow Aillsha-bàn, when Sorcha went
up the hill with Alan. An' I couldn't be milking the white one, Gealcas,
for she wouldn't give without Sorcha's singing, an' I could not be
minding that song; no, not I; but I knew the song for Aillsha-bàn:
"Aillsha-bàn, Aillsha-bàn,
Give way to the milking!
The holy St. Bridget
Is milking, milking
This self-same even
The white kye in heaven--
Ay, sure, my eyes scan
The green place she is in,
Aillsha-bàn, Aillsha-bàn:
And her hand is so soft
And her crooning is sweet
As my milking is soft
Upon thee, Aillsha-bàn--
As my crooning is sweet
Upon thee, Aillsha-bàn,
Aillsha-bàn--
So soft is my hand and
My crooning so sweet,
Aillsha-bàn!"
Poor Nial's singing was not restful, for his voice was at all times
shrill and hoarse, and now it had an added quaver in it. But Oona
listened, drowsily content.
She had remembered all. Yes: Sorcha was right that day when she said
Death roamed through every hour, and that the moment before each new
hour Death stood at the door and broke the link that held the going and
the coming in one bond.
Public-domain text, read in full here on John Shaqi.
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