If her foster-father was dead, he was dead. The fact was absolute to her. Once she had seen a stag die. She had been up near the summit of Iolair, and was about to quench her thirst from a small black tarn, hid among the rocks, when she caught sight of a wounded deer. The hunter had maimed, not slain it: and though it had escaped, it was only to sink with weariness by the tarn, and lie there watching its blood trickle steadily into the crimsoned water, till there should be no more flow. As long as life remained in the stricken beast, Oona could not believe in the possibility of death. In its extremity it made no further effort when she drew close: only a gurgling sob showed its broken heart, and great tears fell from its violet eyes. Either instinct let the stag know that she would do it no harm, or it was too weak to resent a touch: but in the end the dying deer let Oona take its nozzle in her lap, while she smoothed the velvety skin and wiped away the blood and sweat. Even when, kissing it and calling it tender impossible names, she saw the veil come over the eyes, she could not admit that death could come _then_--_there_. But when there was not a quiver, and the rigid limbs were cold, her tears dried, and she looked at it meditatively. It was dead: what had she in common with it? A little ago, her heart throbbed with loving pity: now she glanced at the great beast curiously. Its strong odour was disagreeable: its bloodied mouth and breast disgusted her. There was no good in being sorry. It was dead. In a different, but kindred way, her foster-father was the stricken deer. She had seen him almost to his death: she had seen the drowned body: almost she had died of her wild and passionate grief. Then she had slept through the noon-heats, and the afternoon, and the evening: and now she awoke to the no longer overwhelming but irrefutable fact, that her foster-father was dead. She had meant well. Why did the woman Anabal not see to the blind man? But it did not matter. He was dead now: dead. God willed it so. It was to be. Not all the striving in the world could have prevented this. In wild winter nights, before the peats, she had heard Torcall himself chant the rune of Aodh the poet, with that haunting ending which Sorcha sang often to herself; that Alan had on his lips at times as always in his heart; and that even Murdo muttered when it was tempestuous weather, and Death was abroad, and the gloom of the rocks was heavy upon him. Ah, the words evaded her: but Nial would know, Nial who was the tuneless harp that caught all wandering strains, from sheiling-song to the way of the wind among leaves. "Nial: what is the thing that Sorcha sings often ... and that ... that _he_ sang sometimes, about the quiet at the end?" Nial stared, puzzled for a moment: then he repeated in a low voice: "_Deireadh gach comuinn, sgaoileadh: Deireadh gach cogaidh, sìth!_"