Having seen them safely on their way toward Regent Street, I strolled
along Piccadilly in the direction of my studio, thinking as I went of
that terrible old man whose personality had twice given me such a shock,
and also of the beautiful woman, his companion. The effect they had
produced upon me must have been something out of the common, for I soon
discovered that I could think of nothing else. It was in vain I looked
in at my club and attempted to engage in conversation with friends, or
that, when I reached home, I threw myself into an easy-chair and
endeavoured to interest myself in a book. Out of the centre of every
page peered that wicked old face, with its pallid, wrinkled skin, and
lack-lustre eyes. For upward of an hour I wrestled with the feeling, but
without success. The man's image was not conducive to peace of mind, and
I knew very well that unless I found some distraction I should be
dreaming of him at night. Accordingly I rose from my chair and crossed
the room to a table on which stood a large Satsuma bowl, in which it was
my custom to place the invitations I received. That evening fortune
favoured me. I had the choice of four houses. Two I rejected without a
second thought; between the others I scarcely knew how to decide. Though
I was not aware of it, my evil destiny, for the second time that day,
was standing at my elbow, egging me on to ruin. It appeared I had the
choice of a dance in the Cromwell Road, another in Belgrave Square;
private theatricals in Queen's Gate, and a musical "at home" in Eaton
Square. I did not feel equal to dances or private theatricals, and,
thinking music would soothe my troubled mind, I decided for Eaton Square,
and in so doing brought about the misery and downfall of my life.
Nine o'clock that evening, accordingly, found me ascending the staircase
of Medenham House, greeting my hostess in the anteroom, and passing
thence into the great drawing-room beyond. There is not a more
conspicuous power within the range of her hobby than her ladyship, and
at her house one hears all that is newest and most likely to be famous
in the musical world. Many now celebrated _artistes_ owe much of what
they have since achieved to the helping hand she held out to them when
they were struggling up the rugged hill of fame.
On entering the room I looked about me in the hope of finding some one I
knew, but for some moments was unsuccessful. Then I espied, seated in a
corner, almost hidden by a magnificent palm, a man with whom I possessed
some slight acquaintance. I strolled toward him, and after a few
moments' conversation took my place at his side. He had himself achieved
considerable success as an amateur violinist, and was a distant relative
of our hostess.
"I suppose, like the rest of us, you have come to hear Lady Medenham's
latest prodigy?" he said, after the usual polite nothings had been said.
"I am ashamed to confess I have heard nothing at all about him," I
answered.
Public-domain text, read in full here on John Shaqi.
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