"Indeed, no," Lady Medenham replied. "The poor girl's story is a very strange and sad one. Her father was a Hungarian noble, a brilliant man in his way, I believe, but a confirmed spendthrift. Her mother died when she was but six years old. From a very early age she gave signs of possessing extraordinary musical talent, and this her father, perhaps with some strange prevision of the future, fostered with every care. When she was barely fifteen he was killed in a duel. It was then discovered that his money was exhausted and that the home was mortgaged beyond all redemption to the Jews. Thus the daughter, now without relations or friends of any sort or description, was thrown upon the world to sink or swim just as Fate should decree. For any girl the position would have been sufficiently unhappy, but for her, who had seen nothing of life, and who was of an extremely sensitive disposition, it was well-nigh insupportable. What her existence must have been like for the next five years one scarcely likes to think. But it served its purpose. With a bravery that excites one's admiration she supported herself almost entirely by her music; gaining in breadth, power, and knowledge of technique with every year. Then--where, or in what manner I have never been able to discover, for she is peculiarly sensitive upon this point--she became acquainted with the old gentleman you saw last night, Monsieur Pharos. He was rich, eccentric, and perhaps what most attracted her, passionately fond of music. His extreme age obviated any scandal, even had there been any one to raise it, so that when he proposed to adopt the friendless but beautiful girl, and to enable her to perfect her musical education under the best masters, no one came forward to protest against it. She has, I believe, been with him upward of seven years now." I shuddered when I heard this. Knowing what I did of Pharos I could not find it in my heart to credit him with the possession of so much kindly feeling. But if it were not so, what could the bond between them be? "What you tell me is extremely interesting," I remarked, "and only adds to my desire to see the old gentleman once more. If you could let me have his address I should be more grateful than I can say." "I am very much afraid it is not in my power," she replied. "It is one of the least of Monsieur Pharos's many peculiarities to take extraordinary precautions to prevent his whereabouts becoming known; but stay, I think I can tell you of some one who may be of more service to you. You know Sir George Legrath, do you not?" "The Director of the Egyptian Museum?" I said. "Yes, I know him very well indeed. He was an old friend of my father's." "To be sure he was," she answered. "Well, then, go and see him. I think it is probable that he may be able to assist you. Monsieur Pharos is an acquaintance of his, and it was to Sir George's care that I sent the invitation to my 'at home' last night."