As I have said, it was a miserable night, dark as the pit of Tophet. A
biting wind whistled through the streets, the pavements were dotted with
umbrella-laden figures, the kennels ran like mill-sluices, while the
roads were only a succession of lamp-lit puddles through which the
wheeled traffic splashed continuously. For some reason--perhaps because
the work upon which I had been so long and happily engaged was finished
and I felt lonely without it to occupy my mind--I was stricken with a
fit of the blues. Convinced that my own company would not take me out of
it, I left my studio in search of more congenial society. This was soon
forthcoming; and you will remember, Betford and Trevelyan, that we dined
together at a little restaurant in the neighbourhood of Leicester
Square, and followed the dinner up with a visit to a theatre. As
ill-luck would have it, I was in the minority in the choice of a place
of entertainment. The result was disastrous. Instead of ridding myself
of my melancholy, as I had hoped to do, I intensified it, and when, at
the end of the evening, I bade you farewell in the Strand, my spirits
had reached a lower level than they had attained all day. I remember
distinctly standing beneath a gas-lamp at the corner of Villiers Street,
as the clocks were striking midnight, feeling disinclined to return to
my abode and go to bed, and yet equally at a loss to know in what manner
I should employ myself until there was some likelihood of slumber
visiting my eyelids. To help me make up my mind I lit a fresh cigar and
strolled down toward the river. On the pavement, at the foot of the
steps leading to Hungerford Bridge, a poor tattered creature, yet still
possessing some pretensions to gentlemanly address, came from beneath
the archway and begged of me, assuring me most solemnly that, as far as
he was concerned, the game was played out, and if I did not comply with
his request, he would forthwith end his troubles in the river. I gave
him something--I can not now remember what--and then, crossing the road,
made my way along the Embankment toward Cleopatra's Needle. The rain had
ceased for the moment, and in the north a few stars were shining. The
myriad lights of the Embankment were reflected in the river like lines
of dancing fire, and I remember that behind me a train was rolling
across the bridge from Charing Cross with a noise like distant thunder.
I suppose I must have been thinking of my picture, and of the land and
period which had given me the idea. At any rate, I know that on this
occasion the ancient monument in front of which I soon found myself
affected me as it had never done before. I thought of the centuries that
had passed since those hieroglyphics were carved upon the stone, of the
changes the world had seen since that giant monolith first saw the light
of day. Leaning my elbows on the parapet, I was so absorbed in my own
thoughts that when a sudden cry of "Help, help!" rang out from the river
Public-domain text, read in full here on John Shaqi.
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