Phases of an Inferior PlanetGlasgow, Ellen Anderson Gholson
General
Phases of an Inferior Planet
Glasgow, Ellen Anderson Gholson
Fiction
The effect of the immortal transformation of day into night was
singularly elusive. It had come so stealthily that the fleet-footed
hours seemed to have tripped one another in the fever of the race, the
monotonous grayness of their garments shrouding, as they fluttered past,
the form of each sprightly elf.
Along Broadway the throng moved hurriedly. At a distance indescribably
homogeneous, as it passed the lighted windows of shops it was seen to be
composed of individual atoms, and their outlines were relieved against
the garish interiors like a panorama of automatic silhouettes. Then, as
they neared a crossing, a flood of radiant electricity, revealing minute
details of face and figure, the atoms were revivified from automatic
into animal existence.
With an inhuman disregard of caste and custom, the aberrant shadows of
the passers-by met and mingled one into another. A phantasmagoric
procession took place upon the sidewalk. The ethereal accompaniment of
the physical substance of a Wall Street plutocrat glided sedately after
that of a bedizened daughter of the people, whose way, beginning in the
glare of the workhouse, was ending in the dusk of the river; a lady of
quality, whose very shadow seemed pregnant with the odor of spice and
sables, melted before the encroaching presence of a boot-black fresh
from the Bowery; a gentleman of fashion gave place to the dull phantom
of a woman with burning brows and fingers purple with the stain of many
stitches. It was as if each material substance, warm with the lust of
the flesh and reeking with a burnt-offering of vanity, was pursued by
the inevitable presence of a tragic destiny.
At the corner of Seventeenth Street, a girl in a last season's coat left
the crowd and paused before a photographer's window. As she passed from
shadow into light the play of her limbs was suggested by the close folds
of her shabby skirt. She had the light and steadfast gait of one to whom
exercise is as essential as food, and more easily attained.
A man coming from Union Square turned to look at her as she passed.
"That girl is a _danseuse_," he said to his companion, "or she ought to
be. She walks to music."
"Your induction is false," retorted the other. "She happens to be--"
And they passed on.
As the girl paused before the lighted window the outlines of head and
shoulders were accentuated, while the rest of her body remained in
obscurity. Her head was shapely and well poised. Beneath the small toque
of black velvet, an aureole of dry brown hair framed her sensitive
profile like a setting of old mahogany. Even in the half-light
silhouette it could be noticed that eyes, hair, and complexion differed
in tone rather than in color. Her sallow skin blended in peculiar
harmony with the gray-green of her eyes and the brown of her hair. Her
face was long, with irregular features and straight brows. The bones of
cheek and chin were rendered sharper by extreme thinness.
Public-domain text, read in full here on John Shaqi.
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