Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
Matters lay in this state until the third day before the expiration
of the appointed time, when Margaret, having received from Art secret
intelligence of his return, hastened to a spot agreed upon between them,
that they might consult each other upon what ought to be done under
circumstances so critical.
After the usual preface to such tender discussions, Art listened with
a good deal of anxiety, but without the slightest doubt of her firmness
and attachment, to an account of the promise she had given her father.
“Well, but, Margaret darlin',” said he, “what will happen if they
refuse?”
“Surely, you know it is too late for them to refuse now; arn't we as
good as married--didn't we pass the Hand Promise--isn't our troth
plighted?”
“I know that, but suppose they should still refuse, then what's to be
done? what are you and I to do?”
“I must lave that to you, Art,” she replied archly.
“And it couldn't be in better hands, Margaret; if they refuse their
consent, there's nothing for it but a regular runaway, and that will
settle it.”
“You must think I'm very fond of you,” she added playfully, “and I
suppose you do, too.”
“Margaret,” said Art, and his face became instantly overshadowed with
seriousness and care, “the day may come when I'll feel how necessary you
will be to guide and support me.”
She looked quickly into his eyes, and saw that his mind appeared
disturbed and gloomy.
“My dear Art,” she asked, “what is the meaning of your words, and why is
there such sadness in your face?”
“There ought not to be sadness in it,” he said, “when I'm sure of
you--you will be my guardian angel may be yet.”
“Art, have you any particular meanin' in what you say?”
“I'll tell you all,” said he, “when we are married.”
Margaret was generous-minded, and, as the reader may yet acknowledge,
heroic; there was all the boldness and bravery of innocence about her,
and she could scarcely help attributing Art's last words to some fact
connected with his feelings, or, perhaps, to circumstances which his
generosity prevented him from disclosing. A thought struck her--
“Art,” said she, “the sooner this is settled the better; as it is, if
you'll be guided by me, we won't let the sun set upon it; walk up with
me to my father's house, come in, and in the name of God, we'll leave
nothing unknown to him. He is a hard man, but he has a heart, and he is
better a thousand times than he is reported. I know it.”
“Come,” said Art, “let us go; he may be richer, but there's the blood,
and the honesty, and good name of the Maguires against his wealth--”
A gentle pressure on his arm, when he mentioned the word wealth, and he
was silent.
“My darlin' Margaret,” said he, “oh how unworthy I am of you!”
“Now,” said she, “lave me to manage this business my own way. Your good
sense will tell you when to spake; but whatever my father says, trate
him with respect--lave the rest to me.”
Public-domain text, read in full here on John Shaqi.
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