Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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Phelim Otoole's Courtship and Other Stories: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
On entering, they found Murray and his wife in the little parlor--the
former smoking his pipe, and the latter darning a pair of stockings.
“Father,” said Margaret, “Art Maguire convoyed me home; but, indeed, I
must say, I was forced to ask him.”
“Art Maguire. Why, then, upon my sounds, Art, I'm glad to see you. An'
how are you, man alive? an' how is Frank, eh? As grave as a jidge, as
he always was--ha, ha, ha! Take a chair, Art, and be sittin'. Peggy,
gluntha me, remimber, you must have Art at your weddin'. It's now widin
three days of the time I'm to know who he is; and upon my sounds, I'm
like a hen on a hot griddle till I hear it.”
“You're not within three days, father.”
“But I say I am, accordin' to your own countin'.”
“You're not within three hours, father;”--her face 'glowed, and her
whole system became vivified with singular and startling energy as she
spoke;--“no, you are not within three hours, father; not within three
minutes, my dear father; for there stands the man,” she said, pointing
to Art. She gave three or four loud hysterical sobs, and then stood
calm, looking not upon her father, but upon her lover; as much as to
say, Is this love, or is it not?
Her mother, who was a quiet, inoffensive creature, without any principle
or opinion whatsoever at variance with those of her husband, rose upon
hearing this announcement; but so ambiguous were her motions, that
we question whether the most sagacious prophet of all antiquity could
anticipate from them the slightest possible clue to her opinion. The
husband, in fact, had not yet spoken, and until he had, the poor woman
did not know her own mind. Under any circumstances, it was difficult
exactly to comprehend her meaning. In fact, she could not speak three
words of common English, having probably never made the experiment a
dozen times in her life. Murray was struck for some time mute.
“And is this the young man,” said he, at length, “that has been the
mains of preventin' you from being so well married often and often
before now?”
“No, indeed, father,” she replied, “he was not the occasion of that; but
I was. I am betrothed to him, as he is to me, for five years.”
“And,” said her father, “my consent to that marriage you will never
have; if you marry him, marry him, but you will marry him without my
blessin'.”
“Jemmy Murray,” said Art, whose pride of family was fast rising, “who am
I, and who are you?”
Margaret put her hand to his mouth, and said in a low voice--
“Art, if you love me, leave it to my management.”
Public-domain text, read in full here on John Shaqi.
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