Massinger, Philip, 1583-1640 -- Criticism and interpretation
PARIS. The whole world being one,
This place is not exempted; and I am
So confident in the justice of our cause,
That I would wish Cæsar, in whose great name
All kings are comprehended, sate as judge
To hear our plea, and then determine of us.
If to express a man sold to his lusts,
Wasting the treasure of his time and fortunes
In wanton dalliance, and to what sad end
A wretch that’s so given over does arrive at;
Deterring careless youth by his example,
From such licentious courses; laying open
The snares of bawds, and the consuming arts
Of prodigal strumpets, can deserve reproof;
Why are not all your golden principles
Writ down by grave philosophers to instruct us,
To choose fair virtue for our guide, not pleasure,
Condemn’d unto the fire?
SURA. There’s spirit in this.
PARIS. Or if desire of honour was the base
On which the building of the Roman empire
Was raised up to this height; if, to inflame
The noble youth with an ambitious heat
T’endure the frosts of danger, nay, of death,
To be thought worthy the triumphal wreath,
By glorious undertakings, may deserve
Reward, or favour from the commonwealth;
Actors may put in for as large a share
As all the sects of the philosophers;
They with cold precepts (perhaps seldom read)
Deliver, what an honourable thing
The active virtue is; but does that fire
The blood, or swell the veins with emulation,
To be both good and great, equal to that
Which is presented in our theatres?
Let a good actor, in a lofty scene,
Show great Alcides honour’d in the sweat
Of his twelve labours; or a bold Camillus
Forbidding Rome to be redeem’d with gold
From the insulting Gauls; or Scipio,
After his victories, imposing tribute
On conquer’d Carthage; if done to the life,
As if they saw their dangers, and their glories,
And did partake with them in their rewards,
All that have any spark of Roman in them,
The slothful arts laid by, contend to be
Like those they see presented.
RUSTICUS. He has put
The consuls to their whisper.
Public-domain text, read in full here on John Shaqi.
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