Massinger, Philip, 1583-1640 -- Criticism and interpretation
This is as much as to say that the stage of those days responded to a real
and living need in the minds of the audience; there was nothing exotic or
artificial about it, as there seems to have been about our plays ever
since the Puritans turned things upside down. It will be said that this
enchanted atmosphere belongs to all the greater playwrights of the age
alike. And this is true; it is one of the secrets of their abiding charm.
Brander Matthews, in dealing with the unreality of Massinger’s atmosphere,
says that “some of Shakspere’s most delightful plays, _The Merchant of
Venice_ for one, and _Much Ado_ for another, are charming to us now only
because we are quite willing to make believe with the poet” (_op. cit._,
p. 311). And so, when Leslie Stephen asks if we are “invigorated” by the
perusal of Massinger’s plays,(136) I reply to that apostle of common sense
that I am not only charmed and delighted, but invigorated. And why?
Because I am admitted to a world of heroism and romance.
But may we not put the matter more broadly still? When we read the
Cavalier lyrics of Suckling, Herrick, and Lovelace, when we think of
Falkland, when we stand before the portraits of Vandyck, do we not feel
that modern England was in danger until lately of losing something? There
is an aroma there of chivalry which had almost faded from our ken. And yet
there is an element in our shy and dumb English nature to which this
atmosphere is congenial, however overgrown with money-making our minds had
seemed to be. Nor, as the student of history knows well, had the Puritans
in the Civil War the monopoly of religion and duty. Indeed, the Civil War
was a true tragedy, because both sides had right, both fought and bled for
what they believed to be the truth. To-day, in spite of our many domestic
discords, no party spirit discounts the gallant deeds of which we have
read daily, and of which of necessity only a fraction has been publicly
rewarded. Perhaps the flame of romance will breathe once more in our
midst, now the War is over, purified by suffering, and quickened by the
memory of those serene yet manly spirits whom we have lost on the
battlefield, whose departure in the dayspring of life seems, as it were,
to have extinguished so many stars in the vault of heaven. They put aside
the calls of culture and pleasure, and the natural ambition to do
something in the world before they were abolished by death. They have
willingly given for their country all that they had; they have given
themselves. If we remember their devotion with gratitude it may purify us
from the commonplace, the vulgar, and the selfish. They, at any rate, can
address the power of evil, which for the moment seemed to triumph, in the
words of Dorothea:
Public-domain text, read in full here on John Shaqi.
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