Massinger, Philip, 1583-1640 -- Criticism and interpretation
Again, the comic element in Massinger is at times dull, forced, and
ordinary; it does not take us very far to label a foolish Florentine
gentleman with the name of “Sylli”;(201) the hungry soldier is rather a
time-worn type,(202) nor can Greedy compare with Lazarillo. Though the
situations are humorous, we do not split with laughter over Massinger, as
we do in reading Aristophanes, or Shakspere, or Molière.(203) We do not
find in him the mercurial lightness of _A Trick to Catch the Old One_, or
the invincible absurdity of “The Roarers” in _The Fair Quarrel_. But it is
necessary to remember that the comic business is of the kind which gains
by acting, or indeed requires it, and to allow that towards the end of his
life Massinger came forward as a grave and powerful satirist of
contemporary men, reminding us of Ben Jonson, but, to my mind, excelling
him; for he shows less asperity with greater lucidity and ease.(204) He is
not unduly morose or bitter, yet he wins conviction with an admirable
sanity and sobriety. The plays will repay good acting, and, after all,
plays are meant to be acted; it is significant that the last of
Massinger’s plays to hold the stage was his comedy, _The New Way to pay
Old Debts_, and it is very much to be wished that it should be revived in
England.(205)
Some critics have accused Massinger of redundancy in style, a
characteristic which clearly will strike different people in different
ways. Thus, Hallam regards this feature as on the whole meritorious,
giving “fulness, or what the painters would call impasto, to his style,
and if it might not always conduce to effect on the stage, suitable on the
whole to the character of his composition.” Mr. Bullen,(206) after an
eloquent tribute to “Massinger’s admirable ease and dignity,” and to “his
rare command of an excellent work-a-day dramatic style, clear, vigorous,
and free from conceit and affectation,” proceeds to allow that “he is apt
to grow didactic and tax the reader’s patience; and there is often a want
of coherence in his sentences, which amble down the page in a series of
loosely linked clauses.” I do not myself feel that this charge comes to
very much.
Public-domain text, read in full here on John Shaqi.
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