Philip Rollo; or, the Scottish Musketeers, Vol. 1 (of 2)Grant, James
General
Philip Rollo; or, the Scottish Musketeers, Vol. 1 (of 2)
Grant, James
Thirty Years' War, 1618-1648 -- Fiction
I approached softly; the door of the same apartment I had formerly
seen was standing partly open, and I again saw the same fair young
girl, who had been asleep on the sofa, running her fingers over a
beautiful guitar, to which she was softly singing a lively Spanish
song. Her back was towards me, and her neck and shoulders (where
visible between her thick lace veil and high Spanish ruff) were
dazzlingly white. I could distinctly see her face, which was
reflected in an opposite mirror. Her hair was dressed loftily over a
high pearl-studded comb, after the fashion of her countrywomen; she
had bright lively eyes, the most wicked smile, and the finest teeth,
in the world. The little coquette seemed to be studying smiles and
positions in the mirror, and, as she did so, a little dimple appeared
in each of her cheeks, which were pale, or exhibited the faintest
tinge of red--altogther unlike the full blushing cheeks of the German
maids of Holstein. Then, as she sang, her voice rang clearly and
beautifully as a little silver bell. It was a Tonadilla, from a play
of the old dramatist, Lopez de Vega; but from which of them Heaven
only knows; for old Lopez wrote such an incredible number, that I do
not believe he would have recognised it himself.
"Gentil Donna, gentil donna--
Gentil donna, goddess bright!
Fairer than the morning light!
How long shall I be doom'd to feel,
The wound thy hand alone can heal?
Gentil donna, gentil donna--
Gentil donna, to me give
The hope from this dear wound to live.
Gentil donna--see, the dart
Of love has pierced my bleeding heart."
------
"Caballero, caballero,
Caballero, hence away,
Lest I laugh at what you say:
Caballero----"
Suddenly, in the mirror's polished depth, her eye caught a glimpse of
my reflected figure, with its shining cuirass and dark green tartans.
The guitar dropped from her hand, and she turned towards me with a
pale and startled expression. It was now my turn to be confused, for
I had no business there.
"Pardon me, señora," said I, in my most dulcet Spanish, for I had
perceived at once that she was a Spaniard; "I have mistaken the way
to my own apartment, and--and----"
She appeared to rally her spirits, and bowed.
"This old house," I continued, advancing one pace, "with its long
wooden stairs, its dark passages, so full of doors to the right and
to the left--you understand me, señora?"
"Oh yes! señor--I think I do."
"Its wainscoted galleries and ambulatories," I continued, advancing
another pace, "are quite perplexing, and I feel that I am an awkward
intruder."
"You look, señor, just like one dropped from the moon," said she with
a smile, as she resumed her guitar with its broad blue ribbon; "but I
have the honour to wish you a good day----"
"And you pardon my intrusion?"
"Pardon--oh yes! but, in ascending the stair, keep always to the
right, remember. I cannot be angry with so gallant a cavalier,"
(_galante caballero_.)
Public-domain text, read in full here on John Shaqi.
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