Philipp Reis: Inventor of the Telephone: A Biographical SketchThompson, Silvanus P. (Silvanus Phillips)
History
Philipp Reis: Inventor of the Telephone: A Biographical Sketch
Thompson, Silvanus P. (Silvanus Phillips)
Reis, Philipp, 1834-1874; Telephone -- History
As to the performance attained by the Telephone, let it be remarked,
that, with its aid, I was in a position to make audible to the members
of a numerous assembly (the Physical Society of Frankfort-on-the-Main)
melodies which were sung (not very loudly) into the apparatus in
another house (about three hundred feet distant) with closed doors.
Other researches show that the sounding-rod [i.e. the knitting needle]
is able to reproduce complete triad chords (“Dreiklänge”) of a piano on
which the telephone [i.e. the transmitter] stands; and that, finally,
it reproduces equally well the tones of other instruments--harmonica,
clarionet, horn, organ-pipes, &c., always provided that the tones
belong to a certain range between _F_ and _f''_[20].
It is, of course, understood that in all researches it was sufficiently
ascertained that the direct _conduction_ of the sound did not come
into play. This point may be controlled very simply by arranging at
times a good shunt-circuit directly across the spiral [i.e. to cut the
receiving instrument out of circuit by providing another path for the
currents of electricity], whereby naturally the operation of the latter
momentarily ceases.
Until now it has not been possible to reproduce the tones of human
speech with a distinctness to satisfy everybody. The consonants are for
the most part tolerably distinctly reproduced, but the vowels not yet
in an equal degree. Why this is so I will endeavour to explain.
According to the researches of Willis, Helmholtz, and others, vowel
sounds can be artificially produced by causing the vibrations of one
body to reinforce those of another periodically, somewhat after the
following scheme:--
[Illustration: Fig. 26.]
An elastic spring is set in vibration by the thrust of the tooth of a
cog-wheel: the first swing is the greatest, and each of the others is
less than the preceding one (see Fig. 26).
After several vibrations of this sort (without the spring coming to
rest) let another thrust be given by the tooth; the next swing will
again be a maximum one, and so on.
The height or depth of the sound produced in this fashion depends
upon the number of vibrations made in a given time; but the quality
of the note depends upon the number of variations of amplitude
(Anschwellungen) occurring in the same time.
Two vowels of equal pitch may be distinguished from each other somewhat
after the manner represented by the curves (1) (2): while the same tone
devoid of any vowel quality, is represented by curve (3).
[Illustration: Fig. 27.]
Our organs of speech create the vowels probably in the same manner by a
combined action of the upper and lower vocal chords, or of the latter
and of the cavity of the mouth.
Public-domain text, read in full here on John Shaqi.
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