Produced by Charles Aldarondo, Charles Franks and the
Online Distributed Proofreading Team
PHILISTIA
BY
GRANT ALLEN
CONTENTS.
CHAPTER
I. CHILDREN OF LIGHT
II. THE COASTS OF THE GENTILES
III. MAGDALEN QUAD
IV. A LITTLE MUSIC
V. ASKELON VILLA, GATH
VI. DOWN THE RIVER
VII. GHOSTLY COUNSEL
VIII. IN THE CAMP OF THE PHILISTINES
IX. THE WOMEN OF THE LAND
X. THE DAUGHTERS OF CANAAN
XI. CULTURE AND CULTURE
XII. THE MORE EXCELLENT WAY
XIII. YE MOUNTAINS OF GILBOA
XIV. WHAT DO THESE HEBREWS HERE
XV. EVIL TIDINGS
XVI. FLAT REBELLION
XVII. COME YE OUT AND BE YE SEPARATE!
XVIII. A QUIET WEDDING
XIX. INTO THE FIRE
XX. LITERATURE, MUSIC, AND THE DRAMA
XXI. OFF WITH THE OLD LOVE
XXII. THE PHILISTINES TRIUMPH
XXIII. THE STREETS OF ASKELON
XXIV. THE CLOUDS BEGIN TO BREAK
XXV. HARD PRESSED
XXVI. IRRECLAIMABLE
XXVII. RONALD COMES OF AGE
XXVIII. TELL IT NOT IN GATH
XXIX. A MAN AND A MAID
XXX. THE ENVIRONMENT FINALLY TRIUMPHS
XXXI. DE PROFUNDIS
XXXII. PRECONTRACT OF MARRIAGE
XXXIII. A GLEAM OF SUNSHINE
XXXIV. HOPE
XXXV. THE TIDE TURNS
XXXVI. OUT OF THE HAND OF THE PHILISTINES
XXXVII. LAND AT LAST: BUT WHAT LAND?
CHAPTER I.
CHILDREN OF LIGHT.
It was Sunday evening, and on Sundays Max Schurz, the chief of the
London Socialists, always held his weekly receptions. That night
his cosmopolitan refugee friends were all at liberty; his French
disciples could pour in from the little lanes and courts in Soho,
where, since the Commune, they had plied their peaceful trades as
engravers, picture-framers, artists'-colourmen, models, pointers,
and so forth--for most of them were hangers-on in one way or another
of the artistic world; his German adherents could stroll round,
pipe in mouth, from their printing-houses, their ham-and-beef shops,
or their naturalists' chambers, where they stuffed birds or set up
exotic butterflies in little cabinets--for most of them were more
or less literary or scientific in their pursuits; and his few English
sympathisers, chiefly dissatisfied philosophical Radicals of the
upper classes, could drop in casually for a chat and a smoke, on
their way home from the churches to which they had been dutifully
escorting their un-emancipated wives and sisters. Max Schurz kept
open house for all on Sunday evenings, and there was not a drawing-room
in London better filled than his with the very advanced and not
undistinguished set who alone had the much-prized entrée of his
exclusive salon.
Public-domain text, read in full here on John Shaqi.
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