'Théophile Gautier was quite as horrid as you consider him to be, and if you were anybody but my sister it isn't probable I should have quoted him to you. But if there is any statue on earth prettier or more graceful than you are in that dress at this moment, Edie, then the Venus of Milo ought immediately to be pulverised to ultimate atoms for a rank artistic impostor.' 'Thank you, Harry, for the compliment. What pretty things you must be capable of saying to somebody else's sister, when you're so polite and courtly to your own.' 'On the contrary, Popsy, when it comes to somebody else's sister I'm much too nervous and funky to say anything of the kind. But you must at least do Gautier the justice to observe that if I had described a circle round you, instead of allowing you to revolve once on your own axis, I shouldn't have been able to get the gloss on the satin in the sunlight as I do now that you turn the panniers toward the window. That, you must admit, is a very important aesthetic consideration.' 'Oh, of course it's essentially a sunshiny dress,' said Edie, smiling. 'It's meant to be worn out of doors, on a fine afternoon, when the light is falling slantwise, you know, just as it does now through the low window. That's the light painters always choose for doing satin in.' 'It's certainly very pretty,' Harry went on, musing; 'but I'm afraid Le Breton would say it was a serious piece of economic hubris.' 'Piece of what?' asked Edie quickly. 'Piece of hubris--an economical outrage, don't you see; a gross anti-social and individualist demonstration. Hubris, you know, is Greek for insolence; at least, not quite insolence, but a sort of pride and overweening rebelliousness against the gods, the kind of arrogance that brings Nemesis after it, you understand. It was hubris in Agamemnon and Xerxes to go swelling about and ruffling themselves like turkey-cocks, because they were great conquerors and all that sort of thing; and it was their Nemesis to get murdered by Clytemnestra, or jolly well beaten by the Athenians at Salamis. Well, Le Breton always uses the word for anything that he thinks socially wrong--and he thinks a good many things socially wrong, I can tell you--anything that partakes of the nature of a class distinction, or a mere vulgar ostentation of wealth, or a useless waste of good, serviceable, labour-gotten material. He would call it hubris to have silver spoons when electroplate would do just as well; or to keep a valet for your own personal attendant, making one man into the mere bodily appanage of another; or to buy anything you didn't really need, causing somebody else to do work for you which might otherwise have been avoided.' 'Which Mr. Le Breton--the elder or the younger one?' 'Oh, the younger--Ernest. As for Herbert, the Fellow of St. Aldate's, he's not troubled with any such scruples; he takes the world as he finds it.' 'They've both gone in for their degrees, haven't they?'