Philosophic Nights in Paris: Being selections from Promenades Philosophiques — John Shaqi
Philosophic Nights in Paris: Being selections from Promenades PhilosophiquesGourmont, Remy de
Philosophy
Philosophic Nights in Paris: Being selections from Promenades Philosophiques
Gourmont, Remy de
French essays -- Translations into English; Philosophy
If we now pass to the examination of the most delicate organs of our
body,--the brain and the nervous system,--we see that the motions
executed within these organs are likewise limited in their evolutions.
I employ these simple terms expressly, that I may be better understood.
We perceive these motions in the form of sensations or thoughts. Are we
free to be hot or cold, to be hungry or thirsty? Are we independent
of the ideas that come to us, the images that are formed in our mind,
that is to say, our brain? No, most assuredly. At least, then, we are
free to receive them or reject them, to show them the door or smilingly
invite them in? Here we reach the crux of the question, for it is at
this point that the will intervenes. What, indeed, is the will? The
will is nothing more than the realization, effected by our mind, that
of two motives one is more powerful than the other. The will is perhaps
the least voluntary and the least free element in our make-up. Before
it declares itself, we are often in a state that gives us the illusion
of liberty. We are still in ignorance as to whether we shall go to
right or to left. These moments of vacillation are sometimes agreeable
and sometimes disagreeable. Most often they pass unperceived, and we
find ourselves started on one of the two paths, totally unawares. Our
will has acted mechanically. Our mind has worked like an automatic
scale.
Whatever we do, there is a cause, and this cause itself depends upon
another, and so on to infinity. If I am at this moment smoking a cigar,
it is because Christopher Columbus discovered America. The search for
causes leads to authentications of this order. But our acts have only
a single direct cause. Several influences have combined and weighed
upon the lever. Often, when we reflect upon the motives for our acts,
we imagine that we have found them, yet the most important motive
has escaped us. To enter into examples of this would be to enter the
absurd; Pascal has given one which has become famous,--his epigram
about Cleopatra's nose. It is saying little to aver that effects and
causes are united like the links of a chain. I see effects and causes
rather in the guise of an extremely complicated fabric, of which every
thread depends upon the others. But such a representation may not be
made materially. Let it suffice for us to understand and to admit that
none of our actions is the beginning of a series. There is only a
single series, which does not seem to have had a beginning and whose
end it is impossible to foresee.
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