Philosophical Letters: or, modest Reflections upon some Opinions in Natural PhilosophyNewcastle, Margaret Cavendish, Duchess of
Philosophy
Philosophical Letters: or, modest Reflections upon some Opinions in Natural Philosophy
Newcastle, Margaret Cavendish, Duchess of
Newcastle, William Cavendish, Duke of, 1592-1676; Philosophy
sensitive motions have altered the patterning of such figures to some
other action; and when the sound fadeth by degrees, then the figure
or pattern alters by degrees; but for the most part the sensitive
corporeal motions alter according as the objects are presented, or
the perception patterns out. Neither do they usually make figures
of outward objects, if not perceived by the senses, unless through
Irregularities as in Mad men, which see such and such things, when
as these things are not neer, and then the sensitive motions work by
rote, or after their own voluntary invention. As for Reflexion, it is
a double perception, and so a double figure of one object; like as
many pictures of one man, where some are more perfect then others, for
a copy of a copy is not so perfect as a copy of an original. But the
recoyling of sound is, that the sensitive motions in the ear begin
a new pattern, before they dissolved the former, so as there is no
perfect alteration or change, from making to dissolving, but pattern
is made upon pattern, which causes a confusion of figures, the one
being neither perfectly finished, nor the other perfectly made. But
it is to be observed, that not always the sensitive motions in the
organs take their pattern from the original, but from copies; as for
example, the sensitive motions in the eye, pattern out the figure of
an eye in a glass, and so do not take a pattern from the original it
self, but by an other pattern, representing the figure of the eye in
a Looking-glass; The same doth the Ear, by patterning out Ecchoes,
which is but a pattern of a pattern; But when as a man hears himself
speak or make a sound, then the corporeal sensitive motions in the Ear,
pattern out the object or figure made by the motions of the tongue
and the throat, which is voice; By which we may observe, that there
may be many figures made by several motions from one original; as
for example, the figure of a word is made in a mans mouth, then the
copy of that figure is made in the ear, then in the brain, and then
in the memory, and all this in one Man: Also a word being made in a
mans mouth, the air takes a copy or many copies thereof; but the Ear
patterns them both out, first the original coming from the mouth, and
then the copy made in the air, which is called an Eccho, and yet not
any strikes or touches each others parts, onely perceives and patterns
out each others figure. Neither are their substances the same, although
the figures be alike; for the figure of a man may be carved in wood,
then cut in brass, then in stone, and so forth, where the figure may
be always the same, although the substances which do pattern out the
figure are several, _viz._ Wood, Brass, Stone, &c. and so likewise
may the figure of a stone be figured in the fleshy substance of the
Eye, or the figure of light or colour, and yet the substance of the
Eye remains full the same; neither doth the substantial figure of a
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