We shall afterwards see many instances of this tendency of relation to make us ascribe an _identity_ to _different_ objects; but shall here confine ourselves to the present subject. We find by experience, that there is such a _constancy_ in almost all the impressions of the senses, that their interruption produces no alteration on them, and hinders them not from returning the same in appearance and in situation as at their first existence. I survey the furniture of my chamber; I shut my eyes, and afterwards open them; and find the new perceptions to resemble perfectly those which formerly struck my senses. This resemblance is observed in a thousand instances, and naturally connects together our ideas of these interrupted perceptions by the strongest relation, and conveys the mind with an easy transition from one to another. An easy transition or passage of the imagination, along the ideas of these different and interrupted perceptions, is almost the same disposition of mind with that in which we consider one constant and uninterrupted perception. 'Tis therefore very natural for us to mistake the one for the other.[6] The persons who entertain this opinion concerning the identity of our resembling perceptions, are in general all the unthinking and unphilosophical part of mankind, (that is, all of us at one time or other), and, consequently, such as suppose their perceptions to be their only objects, and never think of a double existence internal and external, representing and represented. The very image which is present to the senses is with us the real body; and 'tis to these interrupted images we ascribe a perfect identity. But as the interruption of the appearance seems contrary to the identity, and naturally leads us to regard these resembling perceptions as different from each other, we here find ourselves at a loss how to reconcile such opposite opinions. The smooth passage of the imagination along the ideas of the resembling perceptions makes us ascribe to them a perfect identity. The interrupted manner of their appearance makes us consider them as so many resembling, but still distinct beings, which appear after certain intervals. The perplexity arising from this contradiction produces a propension to unite these broken appearances by the fiction of a continued existence, which is the _third_ part of that hypothesis I proposed to explain.