Philosophical Works, v. 2 (of 4): Including All the Essays, and Exhibiting the More Important Alterations and Corrections in the Successive Editions Published by the AuthorHume, David
PhilosophyPhilosophy
Philosophical Works, v. 2 (of 4): Including All the Essays, and Exhibiting the More Important Alterations and Corrections in the Successive Editions Published by the Author
Hume, David
Knowledge, Theory of; Philosophy, English -- 18th century
It has been remarked, my Hermippus, that though the ancient
philosophers conveyed most of their instruction in the form of
dialogue, this method of composition has been little practised in
later ages, and has seldom succeeded in the hands of those who have
attempted it. Accurate and regular argument, indeed, such as is now
expected of philosophical inquirers, naturally throws a man into the
methodical and didactic manner; where he can immediately, without
preparation, explain the point at which he aims; and thence proceed,
without interruption, to deduce the proofs on which it is established.
To deliver a *SYSTEM in conversation, scarcely appears natural; and
while the dialogue-writer desires, by departing from the direct style
of composition, to give a freer air to his performance, and avoid the
appearance of _Author_ and _Reader_, he is apt to run into a worse
inconvenience, and convey the image of _Pedagogue_ and _Pupil_. Or,
if he carries on the dispute in the natural spirit of good company,
by throwing in a variety of topics, and preserving a proper balance
among the speakers, he often loses so much time in preparations and
transitions, that the reader will scarcely think himself compensated,
by all the graces of dialogue, for the order, brevity and precision,
which are sacrificed to them.
There are some subjects, however, to which dialogue-writing is
peculiarly adapted, and where it is still preferable to the direct and
simple method of composition.
Any point of doctrine, which is so _obvious_ that it scarcely admits
of dispute, but at the same time so _important_ that it cannot be too
often inculcated, seems to require some such method of handling it;
where the novelty of the manner may compensate the triteness of the
subject; where the vivacity of conversation may enforce the precept;
and where the variety of lights, presented by various personages and
characters, may appear neither tedious nor redundant.
Any question of philosophy, on the other hand, which is so _obscure_
and _uncertain_, that human reason, can reach no fixed determination
with regard to it; if it should be treated at all, seems to lead us
naturally into the style of dialogue and conversation. Reasonable men
may be allowed to differ, where no one can reasonably be positive:
Opposite sentiments, even without any decision, afford an agreeable
amusement; and if the subject be curious and interesting, the book
carries us, in a manner, into company; and unites the two greatest and
purest pleasures of human life, study and society.
Public-domain text, read in full here on John Shaqi.
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