How painfully this traditional style cramps great writers whom it happens not to suit, is curiously seen in Wordsworth, who was bold enough to break through it, and, at the risk of contemporary neglect, to frame a style of his own. But he did so knowingly, and he did so with an effort. 'It is supposed,' he says, 'that by the act of writing in verse an author makes a formal engagement that he will gratify certain known habits of association; that he not only then apprizes the reader that certain classes of ideas and expressions will be found in his book, but that others will be carefully eschewed. The exponent or symbol held forth by metrical language must, in different ages of literature, have excited very different expectations; for example, in the age of Catullus, Terence, or Lucretius, and that of Statius or Claudian; and in our own country, in the age of Shakespeare and Beaumont and Metcher, and that of Donne and Cowley, or Pope.' And then, in a kind of vexed way, Wordsworth goes on to explain that he himself can't and won't do what is expected from him, but that he will write his own words, and only his own words. A strict, I was going to say a Puritan, genius will act thus, but most men of genius are susceptible and versatile, and fall into the style of their age. One very unapt at the assimilating process, but on that account the more curious about it, says:-- How we Track a livelong day, great heaven, and watch our shadows! What our shadows seem, forsooth, we will ourselves be. Do I look like that? You think me that: then I AM that. What writers are expected to write, they write; or else they do not write at all; but, like the writer of these lines, stop discouraged, live disheartened, and die leaving fragments which their friends treasure, but which a rushing world never heeds. The Nonconformist writers are neglected, the Conformist writers are encouraged, until perhaps on a sudden the fashion shifts. And as with the writers, so in a less degree with readers. Many men--most men--get to like or think they like that which is ever before them, and which those around them like, and which received opinion says they ought to like; or if their minds are too marked and oddly made to get into the mould, they give up reading altogether, or read old books and foreign books, formed under another code and appealing to a different taste. The principle of 'elimination,' the 'use and disuse' of organs which naturalists speak of, works here. What is used strengthens; what is disused weakens: 'to those who have, more is given;' and so a sort of style settles upon an age, and imprinting itself more than anything else in men's memories becomes all that is thought of about it.