We have already observed, that the animal life arises from the successive actions of the senses, the nerves, the brain, the locomotive organs, and the voice. We shall now consider what harmony of action is, in each of these great divisions. The precision of our sensations appears to be the more complete in proportion as there exists a resemblance between the two impressions, of which they are each of them the assemblage. We see inaccurately when one of the eyes is better formed, and stronger than the other; when it conveys to the brain a clearer image than its fellow does. It is to avoid this confusion that we shut one eye, while the action of the other is increased by the application of a lens, for at such time there can be no harmony of action in the two organs; accordingly, we make use of one of them only in order to avoid the discordance of the impression.--What a lens applied to one eye only produces artificially, is exemplified in a natural way by squinting.--We squint, says Buffon, because we turn the weaker eye from the object on which the stronger is fixed; for in so doing we avoid the confusion, which would arise from the perception of two dissimilar images. We know that many other causes may contribute to the production of this effect, but we cannot doubt the reality of the reason assigned. We know also, that in some animals each eye may act without the assistance of the other, and that two different objects may be transmitted at the same time by the two eyes of certain other animals; but this circumstance, when the action of both the organs is united upon a single object, should by no means prevent a similarity in the two impressions. A single sensation is the consequence of the combination; but in what way can such sensation be formed with accuracy, if the same body at the same time be pictured both in strong and weak colours on the one and the other of the retinæ? What we have said of the eye may be equally well applied to the ear. If, of the two sensations which form a sound, the one be received by a strong and well formed organ, the other by a weak one, the impressions will be unequal; the brain also, because it is differently affected by each, will be the seat of an imperfect perception. Such conformation constitutes what is called an incorrect or false ear. For what reason does it happen that one man is unpleasantly affected by a dissonance, while another does not even perceive it? The reason is this, that in the one, the two perceptions of the same sound are identical; in the other, dissimilar.[8] For the same reason a man with a correct ear will combine his dancing with the cadence of the measure given him; another without this similarity of organ will be as constantly at variance in his motions with the orchestra. Buffon has confined his observations on harmony of action, to the organs of vision and hearing; we shall push our examination of it farther.