The same reasoning may be applied to the sense of taste. It is often the case that one side of the tongue is affected by palsy or spasm, the median line dividing the insensible half from the other, which continues to preserve its sensibility. But such affection may take place in a variety of degrees, and one side of the tongue retain a power of perceiving savours though in a less perfection than the other side. In such case it is natural to suppose that the taste must be confused; because a clear perception cannot be the consequence of two unequal sensations. The perfection of the touch as well as that of the other senses, is essentially connected with uniformity of action in the two symmetrical halves of the body, and particularly in the hands. Let us suppose, for instance, a man born blind, to have one hand well organized, the other defective in the power of moving the thumb and fingers, and forming only a stiff and immovable surface; such person would find it a very difficult thing to acquire a just notion of the size and figure of bodies, because the same sensation would not arise from the successive application of each hand to the same substance. Let both of his hands, for example, be supposed to touch a small sphere; the one by the extremities of the fingers will embrace it in all its diameters, and convey to him the idea of roundness; the other, which will be in contact with it only in a few points, will produce a very different sensation. Embarrassed between these two bases of his judgment, he will scarcely be able to decide, nay, it is even possible that he may form a double judgment from the double sensation which is presented him: his ideas would be more correct were he to use only the perfect hand, in the same manner as the person who squints, makes use of the perfect eye only. Our hands then assist each other reciprocally; the one confirms the notions which are given us by the other; hence the necessary uniformity of their conformation. The hands are not the only instruments of the sense of touch. The axilla, the groin, the concavity of the foot and many other parts, may all of them from their application to bodies, afford us so many bases for our judgments with regard to external form. Now, if one half of the body were differently arranged from the other half, the same uncertainty in perception would infallibly be the result. From all that has been said, we may conclude, that in the external organs of sense, a harmony of action in the two symmetrical parts, or the two similar halves of the organ, is a condition essential to the perfection of sensation.