Piccadilly: A Fragment of Contemporary BiographyOliphant, Laurence
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Piccadilly: A Fragment of Contemporary Biography
Oliphant, Laurence
Piccadilly (London, England) -- Fiction
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PICCADILLY
A FRAGMENT OF CONTEMPORARY BIOGRAPHY
BY LAURENCE OLIPHANT
WITH _EIGHT ILLUSTRATIONS BY RICHARD DOYLE_
ELEVENTH EDITION
WILLIAM BLACKWOOD AND SONS
EDINBURGH AND LONDON
MDCCCXCII
_This Work originally appeared in 'Blackwood's Magazine,'
and has been since revised and altered by the Author._
"Some make love in poetry,
And some in--Piccadilly."
--PRAED.
"FAITHFUL.--'I say, then, in answer to what Mr Envy hath
spoken, I never said aught but this, That what rule, or laws,
or customs, or people, were flat against the Word of God, are
diametrically opposed to Christianity. If I have said amiss in
this, convince me of my error, and I am ready here, before you
all, to make my recantation.'"--BUNYAN'S 'Pilgrim's Progress.'
[Illustration]
PREFACE.
Five years have elapsed since the following pages were penned, and
periodically issued, under an impulse which seemed at the time
irresistible. I found myself unable, by any conscious act of volition,
to control either the plot or the style. Nor from my present point of
view do I particularly admire either the one or the other. At the same
time, I have reason to hope that the republication of this sketch now,
with all its defects, is calculated to do more good than harm to the
society it attempts to delineate.
This conviction must be my apology for again forcing upon the public a
fragment so hostile to it in tone and spirit. I would reiterate the
observation made elsewhere in the work, that none of the characters are
intended to represent any members of society who were then, or are now,
alive.
[Illustration]
CONTENTS.
I. LOVE
II. MADNESS
III. SUICIDE
IV. THE WORLD
V. THE FLESH
VI. THE "----"
CONCLUSION--MORAL
PICCADILLY.
PART I.
LOVE.
PICCADILLY, _2d February 1865_.
In a window, a few doors from Cambridge House, the following placard
some time since invited, apparently without much effect, the notice of
the passers-by,--"To let, this desirable family mansion," After a
considerable period the "desirable family" seem to have been given up in
despair, and the words vanished from the scene; but the board in the
window, beginning "to let" remained, while the "mansion" itself was
converted upon it into "unfurnished chambers."
Public-domain text, read in full here on John Shaqi.
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