Picciola : $b The prisoner of Fenestrella or, captivity captive — John Shaqi
Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
“To what purpose these stiff bristles, disfiguring a slender stem?”
demanded the Count. And the following morning he found them covered with
rime: thanks to their defence, the tender bark had been secured from all
contact with the frost.
“To what purpose, for the summer season, this winter garment of wool and
down?” he again inquired. And when the summer season really breathed upon
the plant, he found the new shoots array themselves in their light spring
clothing; the downy vestments, now superfluous, being laid aside.
[Illustration]
“Storms may be still impending!” cried Charney, with a bitter smile; “and
how will these slender and flexile shoots resist the cutting hail, the
driving wind?” But when the stormy rain arose, and the winds blew, the
slender plant, yielding to their intemperance, replied to the sneers of
the Count by prudent prostration. Against the hail, it fortified itself
by a new manœuvre; the leaves, rapidly uprising, adhered to the stalks
for protection; presenting to the attacks of the enemy the strong and
prominent nerves of their inferior surface; and union, as usual, produced
strength. Firmly closed together, they defied the pelting shower; and
the plant remained master of the field; not, however, without having
experienced wounds and contusions, which, as the leaves expanded in the
returning sunshine, were speedily cicatrized by its congenial warmth.
“Is chance endowed then with intelligence?” cried Charney. “Must we admit
matter to be spiritualized, or humiliate the world of intelligence into
materialism?”
Still, though self-convicted, he could not refrain from interrogating his
mute instructress. He delighted in watching, day by day, her spontaneous
metamorphoses. Often, after having examined her progress, he found
himself gradually absorbed in reveries of a more cheering nature than
those to which he had been of late accustomed. He tried to prolong the
softened mood of mind by loitering in the court beside the plant; and
one day, while thus employed, he happened to raise his eyes towards the
grated window, and saw the fly-catcher observing him. The colour rose to
his cheek, as if the spy could penetrate the subject of his meditations;
but a smile soon chased away the blush. He no longer presumed to despise
his comrade in misfortune. _He_, too, had been engaged in contemplating
one of the simplest creations of nature; and had derived comfort from the
study.
“How do I know,” argued Charney, “that the Italian may not have
discovered as many marvels in a fly, as I in a nameless vegetable?”
The first object that saluted him on his returning to his chamber, after
this admission, was the following sentence, inscribed by his own hand
upon the wall, a few months before:
“CHANCE, THOUGH BLIND, IS THE SOLE AUTHOR OF THE CREATION.”
Seizing a piece of charcoal, Charney instantly qualified the assertion,
by the addition of a single word—“Perhaps.”
[Illustration]
CHAPTER IV.
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