Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
You remember that lovely woman, so lately dead, the Countess de Charney,
whose expression, though mournful, seemed already to breathe of Heaven.
Her look, so open, so sweet, which seemed to caress while wandering over
you, and to make the heart swell as it lingered; from which one turned
away only to be drawn again within its enchantment; you have seen
it, at first timid as that of a young girl, suddenly become animated,
brilliant, and self-possessed, exhibiting all its native energy, power,
and devotion. Such was the woman; a marvellous union of tenderness and
courage, of the weakness of sense and the strength of soul.
Such have I known her; such did others know her, long before me, when her
soul was excited only by the affections of a daughter and of a wife. You
understand the pleasure with which I dwell with you on such a woman; I
may not often again have the opportunity. Still, she is not the heroine
of my story.
In the only visit which you made her at Belleville, where was the tomb of
her husband, and now, alas! her own, you more than once seemed surprised
with what you saw. You were struck with an old, white-haired man, who sat
next her at table, whose appearance and manners were coarse, even for his
class. You saw him speak familiarly with the daughter of the countess,
who, beautiful as her mother had been, answered him with kindness, and
even with deference, giving him the name of godfather, which, indeed, was
the relation he bore to her. Perhaps you have not forgotten a flower,
dried and colourless, in a rich case; and, also, that when you asked her
concerning it, a saddened look stole over the countenance of the widow,
and your questions remained unanswered. This answer you now have before
you.
Honoured with the confidence and affection of the countess, more than
once, before that simple flower, between her and the venerable man,
have I listened to long and touching details. Besides this, I hold the
manuscripts of the count, his letters, and his two prison journals.
I have carefully retained in my memory those precious details; I have
attentively perused those manuscripts; I have made important extracts
from those letters; and in those journals have I found my inspiration.
If, then, I succeed in rousing in your soul the feelings which have
agitated mine in presence of these relics of the captive, my fears for my
little book are vain.
One word. I have given throughout to my hero his title of count, even
during a time in which such dignities were obsolete. This is because I
have always heard him so called, in French and in Italian; and in my
memory his name and his title are inseparably connected.
Public-domain text, read in full here on John Shaqi.
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