Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
The priest summoned to the bedside of Charney was fortunately worthy of
his sacred functions. Fraught with tenderness for suffering humanity, he
read at once, in the obstinate silence of the Count, and the withering
sentences which disfigured his prison walls, how little was to be
expected of so imperious and scornful a spirit; and satisfied himself
with passing the night in prayers by his bedside, charitably officiating
with Ludovico in the services indispensable to the sufferer. The
Christian priest waited, as for the light of dawning day, an auspicious
moment to brighten with a ray of hope the fearful darkness of incredulity!
In the course of that critical night, the blood of the patient
determining to the brain, produced transports of delirium, necessitating
restraint to prevent the unfortunate Count from dashing himself out of
bed. As he struggled in the arms of Ludovico and the priest, a thousand
incoherent exclamations and wild apostrophes burst from his lips; among
which the words “_Picciola—povera Picciola!_” were distinctly audible.
“_Andiamo!_” cried Ludovico, the moment he caught the sound. “The moment
is come! Yes, yes, the Count is right; the moment is come,” he reiterated
with impatience. But how was he to leave the poor chaplain there alone,
exposed to all the violence of a madman? “In another hour, it may be too
late!” cried Ludovico. “_Corpo di Dio!_ it will be too late. Blessed
Virgin, methinks he is growing calmer! Yes, he droops! he closes his
eyes! he is sinking to sleep! If at my return he is still alive, all’s
well. Hurra! reverend father, we shall yet preserve him, hurra, hurra!”
And away went Ludovico, satisfied, now the excitement of Charney’s
delirium was appeased, to leave him in the charge of the kind-hearted
priest.
In the chamber of death, lighted by the feeble flame of a flickering
lamp, nothing now was audible but the irregular breathing of the dying
man, the murmured prayers of the priest, and the breezes of the Alps
whistling through the grating of the prison-window. Twice, indeed, a
human voice mingled in these monotonous sounds—the “_qui vive?_” of the
sentinel, as Ludovico passed and repassed the postern on his way to his
lodge, and back to the chamber of the Count. At the expiration of half an
hour, the chaplain welcomed the return of the jailer, bearing in his hand
a cup of steaming liquid.
“_Santo Christo!_ I had half a mind to kill my dog!” said Ludovico, as
he entered. “The brute, on seeing me, set up a howl, which is a sign
of evil portent! But how have you been going on here? Has he moved? No
matter! I have brought something that will soon set him to rights! I have
made bold to taste it myself—bitter, saving your reverence’s presence, as
five hundred thousand _diavoli_! Pardon me! _mio padre!_”
But the priest gently put aside the offered cup.
Public-domain text, read in full here on John Shaqi.
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