Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
“I am not yet dead, sir! Should I recover (as I have every hope of
doing), present the compliments of the Count de Charney to his trio
of doctors, and tell them I dispense with their further visits, and
the blunders of a science as idle and deceptions as all the rest. I
overheard enough of their consultations to know that I am indebted to
chance alone for my recovery.”
“_Chance!_” faltered the priest—“chance!”—And, having raised his eyes to
Heaven in token of compassion, they fell upon the fatal inscription on
the wall—
“CHANCE, THOUGH BLIND, IS THE SOLE AUTHOR OF THE CREATION.”
The chaplain paused, after perusing this frightful sentiment; then,
having gathered breath by a deep and painful inspiration, he added, in a
solemn voice, the last word inscribed by Charney—
“_Perhaps!_”
And ere the startled Count could address him, he had quitted the
apartment.
[Illustration]
[Illustration]
CHAPTER VII.
Elated by success, Ludovico lent his ear, in a sort of idiotic ecstasy,
to every syllable uttered by the Count. Not that he comprehended their
meaning:—_There_, luckily, he was safe. But his dead man was alive again;
had resumed his power of speaking, thinking, acting—a sufficient motive
of exultation and emotion to the delighted jailer.
“_Viva!_” cried he; “_viva, evviva_. He is saved. All’s well! _Che
maraviglia!_ Saved!—and thanks to whom?—_to what?_”
And, waving in the air his earthen vessel, he proceeded to hug and
embrace it, saluting it with the tenderest diminutives of the Tuscan
vocabulary.
“Thanks to what?” echoed the sick man. “Why, to your friendly care, my
good Ludovico. Nevertheless, should my cure be perfected, you will find
those doctors yonder claiming all honour for their prescriptions; and the
priest for his prayers.”
“Neither they nor I have any title to the victory,” cried Ludovico,
with still wilder gesticulation. “As to the _Signore Capellano_, _his_
handiwork may have done something: ’tis hard to say. But as to the
other—ay, ay—as to the other bringer of salvation—”
“To whom do you allude?” interrupted Charney, expecting that the
superstitious Ludovico would attribute his recovery to the interposition
of some favourite saint. “_Who_ has deigned to become my protector?”
“Say _protectress_, and you will be nearer the mark,” cried Ludovico.
“The Madonna—eh?” demanded Charney, with an ironical smile.
“Neither saint nor Madonna!” replied the jailer, stoutly. “She who has
preserved you from the jaws of death and the claws of Satan (for dying
without confession you were damned as well as dead), is no other than my
pretty little god-daughter.”
“Your god-daughter!” said the Count, lending a more attentive ear to his
rhapsodies.
Public-domain text, read in full here on John Shaqi.
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