Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
[Illustration]
[Illustration]
CHAPTER X.
Induced at length to renew his experimental inquiries into the process of
inflorescence, Charney became enchanted by the prodigious and immutable
congruities of Nature. For some time, indeed, his eyes were baffled
by the infinite minuteness of the phenomena to which his attention
was directed; when, just as his patience became exhausted by his own
incapacity, Ludovico conveyed to him, from his neighbour the fly-catcher,
a microscopic lens, with which Girardi had been enabled to number eight
thousand oculary facets on the cornea of a fly’s eye.
Charney was transported with joy at the acquisition! The most occult
portion of the flower now became manifested for his investigation; and
already he fancied himself advancing with gigantic strides in the path
of science. Having carefully analyzed the texture of his flower, he
convinced himself that the brilliant colours of the petal, their form,
their crimson spots, the bands of velvet or satin which adorn their bases
or fringe their extremities, are not intended for the mere gratification
of the eye, but for the purpose of reflecting, attracting, or modifying
the rays of the sun, according to the necessities of the flower during
the grand process of fructification. The polished crowns or studs of
the calyx, lustrous like porcelain, are doubtless glandular masses for
the absorption of the air, light, and moisture, indispensable to the
formation of the seed: for without light, no colour—without air and
moisture, no vitality. Moisture, light, and heat, are the elements of
vegetable life, which, on its extinction, it bequeaths in restitution to
the universe.
Unknown to Charney, his reveries and studies had attracted two deeply
interested spectators: Girardi and his daughter. The latter, educated
in habits of piety and seclusion, by a father imbued with reverential
religious sentiments, was blessed with one of those ethereal natures
in which every good and holy interest seems united. The beauty and
excellence of Teresa Girardi, the graces of her person and mind, had
not failed to attract admirers; and her deep and expansive sensibility
seemed to announce a predisposition for human affections. But if a vague
preference had occasionally influenced her feelings amid the _fêtes_ of
Turin, every impulse of her gentle heart was now concentrated into grief
for the captivity of her father.
Public-domain text, read in full here on John Shaqi.
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