The scenes are laid at first at the Red Lion, Colchester, close by which is Manor Farm, where a ball is given, and, of course, "the Pickwickian Quadrilles!" are danced "as performed at the Nobility's Balls." (I have these quadrilles, with Mr. Pickwick, on the title.) Then comes the White Hart, and "How they make sausages!" displayed in large type. The scene is then shifted to the Angel, at Bury, and the double-bedded room with its "horrible dilemma," and "SCENE OF NIGHT CAPS!" It will be noticed that there is nothing of the Great White Horse in the very town. The reason was that the proprietor was disgusted by the unflattering account given of his Inn and must have objected. It winds up with the Fleet scenes, where Mr. Weller, senr., "ARRESTS HIS OWN OFFSPRING." That this notion of the Great White Horse being sulky and hostile is the true one is patent from another bill, December 10, 1843, some four years later, when the proprietor allowed his Inn to be introduced. The piece was called-- "BOOTS AT THE WHITE HORSE." "Now acting in London with extraordinary success." This was, of course, our old friend "Boots at the Swan," which Frank Robson, later, made his own. As Boz had nothing to do with it, there could be no objection. Barnaby Rudge, however, was the piece of resistance. On another occasion, January, 1840, came Mr. J. Russell, with his vocal entertainment, "Russell's Recollections" and "A Portrait from the Pickwick Gallery." "Have you seen him? Alphabetical Distinctions. A sample of MISTER SAM WELLER'S Descriptive Powers." Some adaptation or other of Dickens seems to have been always the standing dish. The old Ipswich Theatre is certainly an interesting one, and Garrick and Boz are names to conjure with. VI.--Who was Pott?