and the small contracted space at the top where the "swells" of the
dockyard stood together. "Boz," as he himself once told me, took away
from Rochester the idea that its old, red brick Guildhall was one of the
most imposing edifices in Europe, and described his astonishment on his
return at seeing how small it was.
Apropos of Rochester and the Pickwick feeling, it may be said that to
pass that place by on the London, Chatham, and Dover line rouses the most
curious sensation. Above is the Castle, seen a long time before, with
the glistening river at its feet; then one skirts the town passing by the
backs of the very old-fashioned houses, and you can recognise those of
the Guildhall and of the Watts' Charity, and the gilt vanes of other
quaint, old buildings; you see a glimpse of the road rising and falling,
with its pathways raised on each side, with all sorts of faded
tints--mellow, subdued reds, sombre greys, a patch of green here and
there, and all more or less dingy, and "quite out of fashion." There is
a rather forlorn tone over it all, especially when we have a glimpse of
Ordnance Terrace, at Chatham, that abandoned, dilapidated row where the
boy Dickens was brought up dismally enough. At that moment the images of
the Pickwickians recur as of persons who had lived and had come down
there on this pleasant adventure. And how well we know every stone and
corner of the place, and the tone of the place! We might have lived
there ourselves. Positively, as we walk through it, we seem to recognise
localities like old friends.
"Boz," when he came to Ipswich, was no more than a humble reporter, on
special duty, living in a homely way enough. The "White Horse" was not
likely to put itself out for him, and he criticises it in his story,
after a fashion that seems rather bold. His description is certainly
unflattering:
"In the main street, on the left-hand side of the way"--observe how
minute Boz is in his topography--"a short distance after you have
passed through the open space fronting the Town Hall, stands an Inn
known far and wide by the appellation of 'The Great White Horse,'
rendered the more conspicuous by a stone statue of some rampacious
animal, with flowing mane and tail, distantly resembling an insane
cart horse, which is elevated above the principal door. The 'Great
White Horse' is famous in the neighbourhood in the same degree as a
prize ox or county paper-chronicled turnip, or unwieldy pig--for its
_enormous size_. Never were there such labyrinths of _uncarpeted
passages_, such clusters of _mouldy_, _badly-lighted rooms_, such huge
numbers of small dens for eating or sleeping in, beneath any other
roof, as are collected between the four walls of this overgrown
Tavern."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account