He himself, on his later visit, noted the strange encroachments that were
being made on the Theatre. A wine merchant had begun on the cellars, and
was gradually squeezing himself into the box-office, and would no doubt
go on till he secured the auditorium, the lobbies, etc. When I last
passed by that way, it had become the Conservative Club, or some such
institution.
The wonderful picture, given in "Nickleby," of the Portsmouth playhouse,
with all its characters and accessories and inner life, shows the most
intimate familiarity with all the ways and fashions of the old Provincial
Theatre. Every touch--Crummles, Folair, Lenville, Snivelicci--proves
clearly that he knew perfectly the life behind the scenes, and that he
wrote of it _con amore_. There was a firm belief at the Theatre Royal,
Portsmouth, that all the performers in "Nickleby" were personal sketches
of this corps. One actor told my friend, Mr. Walter Pollock, that they
could even identify Folair, Lenville & Co., and that there was a playbill
still extant in which either the names or the pieces corresponded. But
in this theory, however, little faith can be placed; for at the time the
family was at Portsmouth, Dickens was but a child not more than ten or
twelve years old, and not likely, therefore, to be taken behind the
scenes, or to pick up or observe much. It is certain that the whole
description of the Theatre and its company, with the minute and intimate
details of stage life, was drawn from this little house at Rochester. But
we can go beyond mere speculation.
Public-domain text, read in full here on John Shaqi.
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