Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
No. III. Uncpapa Dakotas stole five woolly horses from the Ree Indians.
White-Cow-Killer calls it “Plenty-woolly-horses winter.”
Mato Sapa says: Uncpapa stole from the Rees five horses having curly
hair.
Major Bush same as last, using “woolly” instead of “curly.”
Battiste Good says:
“Brought-home-Pawnee-horses-with-their-hair-rough-and-curly winter.”
1804-’05.--No. I. Calumet dance. Tall-Mandan born.
No. II. The Dakotas had a calumet dance and then went to war. The
device is a long pipe-stem, ornamented with feathers and streamers.
The feathers are white, with black tips, evidently the tail feathers
of the adult golden eagle (_Aquila chrysaëtos_), highly prized by
all Indians. The streamers anciently were colored strips of skin or
flexible bark; now gayly colored strips of cloth are used. The word
calumet is a corruption of the French _chalumeau_, and the pipe among
all the Mississippi tribes was a symbol of peace. Captain Carver, in
his Three Years’ Travels Through the Interior Parts of North America,
Philadelphia, 1796, which travels began in 1766, after puzzling over
the etymology of the word calumet (that honest “captain of Provincial
troops” obviously not understanding French), reports it as “about 4
feet long, bowl of red marble, stem of a light wood curiously painted
with hieroglyphics in various colors and adorned with feathers. Every
nation has a different method of decorating these pipes and can
tell at once to what band it belongs. It is used as an introduction
to all treaties, also as a flag of truce is among Europeans.” The
event commemorated in the figure was probably a council of some of
the various tribes of the nation for settlement of all internal
difficulties, so as to act unitedly against the common enemy. J. C.
Beltrami, who visited the Dakotas not long after this date, describes
them in his Pilgrimage, London, 1828, as divided into independent
tribes, managing their separate affairs each by its own council,
and sometimes coming into conflict with each other, but uniting in a
general council on occasions affecting the whole nation.
No. III. Danced calumet dance before going to war.
Battiste Good says: “Sung-over-each-other-while-on-the-war-path
winter.” He adds: “The war party while out made a large pipe and sang
each other’s praises.” A memorandum is also added that the pipe here
seems to indicate peace made with some other tribe assisting in the
war. But see pages 118 and 139.
1805-’06.--No. I. Eight Dakotas killed by Crows.
No. II. The Crows killed eight Dakotas. Again the short parallel
black lines, this time eight in number, united by a long stroke. The
interpreter, Fielder, says that this character with black strokes is
only used for grave marks.
No. III. Eight Minneconjou Dakotas killed by Crow Indians at the mouth
of Powder River.
Battiste Good says: “They-came-and-killed-eight winter.” The enemy
killed eight Dakotas.
White-Cow-Killer calls it “Eight-Dakotas-killed winter.”
Public-domain text, read in full here on John Shaqi.
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