Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
The intention of the present work is not to present at this time a
view of the whole subject of pictography, though the writer has been
preparing materials with a reference to that more ambitious project.
The paper is limited to the presentation of the most important known
pictographs of the North American Indians, with such classification
as has been found convenient to the writer, and, for that reason, may
be so to collaborators. The scheme of the paper has been to give very
simply one or more examples, with illustrations, in connection with
each one of the headings or titles of the classifications designated.
This plan has involved a considerable amount of cross reference,
because, in many cases, a character, or a group of characters, could be
considered with reference to a number of noticeable characteristics,
and it was a question of choice under which one of the headings
it should be presented, involving reference to it from the other
divisions of the paper. An amount of space disproportionate to the
mere subdivision of Time under the class of Mnemonics, is occupied by
the Dakota Winter Counts, but it is not believed that any apology is
necessary for their full presentation, as they not only exhibit the
device mentioned in reference to their use as calendars, but furnish a
repertory for all points connected with the graphic portrayal of ideas.
Attention is invited to the employment of the heraldic scheme of
designating colors by lines, dots, etc., in those instances in the
illustrations where color appeared to have significance, while it was
not practicable to produce the coloration of the originals. In many
cases, however, the figures are too minute to permit the successful use
of that scheme, and the text must be referred to for explanation.
Thanks are due and rendered for valuable assistance to correspondents
and especially to officers of the Bureau of Ethnology and the United
States Geological Survey, whose names are generally mentioned in
connection with their several contributions. Acknowledgment is
also made now and throughout the paper to Dr. W. J. Hoffman who
has officially assisted the present writer during several years by
researches in the field, and by drawing nearly all the illustrations
presented.
DISTRIBUTION OF PETROGLYPHS IN NORTH AMERICA.
Etchings or paintings on rocks in North America are distributed
generally.
They are found throughout the extent of the continent, on bowlders
formed by the sea waves or polished by ice of the glacial epoch; on the
faces of rock ledges adjoining streams; on the high walls of cañons
and cliffs; on the sides and roofs of caves; in short, wherever smooth
surfaces of rock appear. Drawings have also been discovered on stones
deposited in mounds and caves. Yet while these records are so frequent,
there are localities to be distinguished in which they are especially
abundant and noticeable. Also they differ markedly in character of
execution and apparent subject-matter.
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