Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
“I have long entertained the belief that the coast tribes originated
among the Aztecs, and have made it a subject of careful study for
many years. I received unexpected aid by the plates in Habel’s
Investigations in Central and South America. I have shown them to
Indians of various coast tribes at various times, and they all
recognize certain of those pictures. No. 1, Plate 1, represents a
priest cutting off the head of his victim with his stone knife.
They recognize this, because they always cut off the heads of their
enemies slain in battle; they never scalp. The bird of the sun is
recognized by all who have seen the picture as the thunder bird of
the coast tribes. But the most singular evidence I have seen is
in Cushing’s description of the Zuñi Indian, as published in the
Century Magazine. The Haidas recognize the scenes, particularly the
masquerade scenes in the February [1883] number, as similar to their
own tomanawos ceremonies. I have had at least a dozen Haida men
and women at one time looking at those pictures and talk and explain
to each other their meaning. One chief who speaks English said to
me after he had for a long time examined the pictures, ‘Those are
our people; they do as we do. If you wish, I will make you just such
masks as those in the pictures.’
“These Indians know nothing, and recognize nothing in the Hebrew or
Egyptian, the Chinese or Japanese pictures, but when I show them any
Central or South American scenes, if they do not understand them they
recognize that they are ‘their people.’”
According to Stephen Powers (in Contrib. to N. A. Ethnol. III, p.
140), there is at the head of Potter Valley, California, “a singular
knoll of red earth which the Tátu or Hūchnom believe to have
furnished the material for the creation of the original coyote-man.
They mix this red earth into their acorn bread, and employ it for
painting their bodies on divers mystic occasions.” Mr. Powers
supposed this to be a ceremonial performance, but having found the
custom to extend to other tribes he was induced to believe the
statements of the Indians “that it made the bread sweeter and go
further.”
See also the mnemonic devices relative to Songs, page 82, and to
Traditions, page 84; also page 237.
Public-domain text, read in full here on John Shaqi.
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