aú-qkua-glu-hu té-itc-lu-gĭ´ té xle-mĕn´ tun dú-ia-gūt, taú-na-cŭk sent to him brought to him five deer, same man [the hunter] (and) pi-xlu-nĭ´ ta-xlí-mu-nŭk tun-duĭ´-a-xa-nŭk´ tú-gu-xlí-u-qi. A-xlí-lum he caught five deer killed. Another [secured] Ká-xla-qlŭm´ tu-mú-qtcu-gí. Shaman not gave them. (To whom application had been made previously.) DANCES AND CEREMONIES. Plate LXXXI exhibits drawings of various masks used in dancing, the characters of which were obtained by Mr. G. K. Gilbert from rocks at Oakley Springs, and were explained to him by Tubi, the chief of the Oraibi Pueblos. They probably are in imitation of masks, as used by the Moki, Zuñi, and Rio Grande Pueblos. [Illustration: BUREAU OF ETHNOLOGY FOURTH ANNUAL REPORT PL. LXXXI MOKI MASKS ETCHED ON ROCKS. ARIZONA.] Many examples of masks, dance ornaments, and fetiches used in ceremonies are reported and illustrated in the several papers of Messrs. Cushing, Holmes, and Stevenson in the Second Annual Report of the Bureau of Ethnology. Paintings or drawings of many of them have been found on pottery, on shells, and on rocks. In this connection the following extract from a letter dated Port Townsend, Washington, June 1, 1883, from Mr. James G. Swan, will be acceptable: “You may remember my calling your attention about a year since to the fact that a gentleman who had been employed on a preliminary survey for the Mexican National Construction Company had called on me and was astonished at the striking similarity between the wooden-carved images of the Haida Indians and the terra-cotta images he had found in the railroad excavations in Mexico.