Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
This design survives among the Ottawa and Pottawatomi Indians of
Northern Michigan, but among the latter a single line only is drawn
across the breast, shown in Figure 145. This corresponds, also, with
one of the gesture-signs for the same idea.
[Illustration: FIG. 145.--Starvation. Ottawa and Pottawatomi.]
Figure 146, from the record of Battiste Good for the year 1826-’27,
signifies “pain.” He calls the year “Ate-a-whistle-and-died winter,”
and explains that six Dakotas, on the war path, had nearly perished
with hunger when they found and ate the rotting carcass of an old
buffalo, on which the wolves had been feeding. They were seized soon
after with pains in the stomach, their bellies swelled, and gas poured
from the mouth and the anus, and they died of a whistle, or from eating
a whistle. The sound of gas escaping from the mouth is illustrated
in the figure. The character on the abdomen and on its right may be
considered to be the ideograph for pain in that part of the body.
[Illustration: FIG. 146.--Pain. Died of “whistle.” Dakota.]
SYMBOLISM.
The writer has, in a former publication, suggested the distinction to
be made between a pictorial sign, an emblem, and a symbol; but it is
not easy to preserve the discrimination in reference to ideographic
characters which have often become conventionalized. To partly express
the distinction, nearly all of the characters in the Dakota Winter
Counts are regarded as pictorial signs, and the class represented by
tribal signs, personal insignia, etc., is considered to belong to the
category of emblems. There is no doubt, however, that true symbols
exist among the Indians, as they must exist to some extent among all
peoples not devoid of poetic imagination. Some of them are shown in
this paper. The pipe is generally a symbol of peace, although in
certain positions and connections it sometimes signifies preparation
for war, and again subsequent victory. The hatchet is a common symbol
for war, and closed hands or approaching palms denote friendship.
The tortoise has been clearly used as a symbol for land, and many
other examples can be admitted. If Schoolcraft is to be taken as
uncontroverted authority, the symbolism of the Ojibwa rivalled that
of the Egyptians, and the recent unpublished accounts of the Zuñi,
Moki, and Navajo before mentioned indicate the frequent employment of
symbolic devices by those tribes which are notably devoted to mystic
ceremonies. Nevertheless, the writer’s personal experience is, that
often when he has at first supposed a character to be a genuine symbol
it has resulted, with better means of understanding, in being not even
an ideograph but a mere objective representation. In this connection,
the remarks on the circle on page 107, and those on Figure 206, on page
246, may be in point.
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