Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
Figure 179 is taken from the winter count of
Battiste Good for the year 1840-’41. He names it
“Came-and-killed-five-of-Little-Thunder’s-brothers winter” and
“Battiste-alone-returns winter.” He explains that the five were killed
in an encounter with the Panis. Battiste Good was the only one of the
party to escape. The capote is shown, and signifies war, as in several
other instances of the same record. The five short vertical lines below
the arrow signify that five were killed.
[Illustration: FIG. 179.]
Figure 180 is taken from Mrs. Eastman’s Dahcotah, or Life and Legends
of the Sioux, New York, 1849, p. xxvii, and shows a Dakota method of
recording the taking of prisoners. Nos. 1 and 3 are the prisoners; No.
1 being a female, as denoted by the presence of mammæ, and No. 3 a
male. No. 2 is the person making the capture. It is also noted that the
prisoners are without hands, to signify their helplessness.
[Illustration: FIG. 180.]
In this connection the following quotation is taken from the Historical
Collections of Louisiana, Part III, 1851, p. 124, describing a
pictograph, as follows: “There were two figures of men without heads
and some entire. The first denoted the dead and the second the
prisoners. One of my conductors told me on this occasion that when
there are any French among either, they set their arms akimbo, or their
hands upon their hips, to distinguish them from the savages, whom they
represent with their arms hanging down. This distinction is not purely
arbitrary; it proceeds from these people having observed that the
French often put themselves in this posture, which is not used among
them.”
[Illustration: FIG. 181.--Circle of men. Dakota.]
Figure 181 is taken from the winter count of Battiste Good for the
year 1851-’52. In the year 1851-’52, the first issue of goods was made
to the Indians, and the character represents a blanket surrounded by
a circle to show how the Indians sat awaiting the distribution. The
people are represented by small lines running at right angles to the
circle.
[Illustration: FIG. 182.--Shooting from river banks. Dakota.]
Figure 182 is also from Battiste Good. An encounter is represented
between two tribes, each on the banks of a river, from which arrows
were fired across the water at the opposing party. The vertical lines
represent the banks, while the opposing arrows denote a fight or an
encounter.
[Illustration: FIG. 183.--Panther. Haida.]
The drawing, Figure 183, was made by Mr. J. G. Swan while on a visit to
the Prince of Wales Archipelago, where he found two carved figures with
panthers’ heads, and claws upon the fore feet, and human feet attached
to the hind legs. These mythical animals were placed upon either side
of a corpse which was lying in state, awaiting burial.
This union of the human figure with that of other animals is of
interest in comparison with the well-known forms of similar character
in the art of Egypt and Assyria.
[Illustration: FIG. 184.--Wolf head. Haida.]
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