Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
In painting and rock writing the efforts of the Southern Indians
were confined to the fanciful and profuse ornamentation of their
own persons with various colors, in which red, yellow, and black
predominated, and to marks, signs, and figures depicted on skins and
scratched on wood, the shoulder blade of a buffalo, or on stone.
The smooth bark of a standing tree or the face of a rock was used
to commemorate some feat of arms, to indicate the direction and
strength of a military expedition, or the solemnization of a treaty
of peace. High up the perpendicular sides of mountain gorges, and
at points apparently inaccessible save to the fowls of the air,
are seen representations of the sun and moon, accompanied by rude
characters, the significance of which is frequently unknown to the
present observer. The motive which incited to the execution of work
so perilous was, doubtless, religious in its character, and directly
connected with the worship of the sun and his pale consort of the
night.
The same author, page 377, particularly describes and illustrates one
in Georgia, as follows:
In Forsyth County, Georgia, is a carved or incised bowlder of
fine-grained granite, about 9 feet long, 4 feet 6 inches high, and 3
feet broad at its widest point. The figures are cut in the bowlder
from one-half to three-fourths of an inch deep. * It is generally
believed that they are the work of the Cherokees.
These figures are chiefly circles, both plain, nucleated, and
concentric, sometimes two or more being joined by straight lines,
forming what is now known as the “spectacle-shaped” figure.
Dr. M. F. Stephenson mentions, in Geology and Mineralogy of Georgia,
Atlanta, 1871, p. 199, sculptures of human feet, various animals, bear
tracks, etc., in Enchanted Mountain, Union County, Georgia. The whole
number of etchings is reported as one hundred and forty-six.
ROCK CARVINGS IN IOWA.
Mr. P. W. Norris found numerous caves on the banks of the Mississippi
River, in Northeastern Iowa, 4 miles south of New Albion, containing
incised pictographs. Fifteen miles south of this locality paintings
occur on the cliffs.
ROCK CARVINGS IN MINNESOTA.
Mr. P. W. Norris has discovered large numbers of pecked totemic
characters on the horizontal face of the ledges of rock at Pipe Stone
Quarry, Minnesota, of which he has presented copies. The custom
prevailed, it is stated, for each Indian who gathered stone (Catlinite)
for pipes to inscribe his totem upon the rock before venturing to
quarry upon this ground. Some of the cliffs in the immediate vicinity
were of too hard a nature to admit of pecking or scratching, and upon
these the characters were placed in colors.
ROCK CARVINGS IN WYOMING AND IN IDAHO.
Public-domain text, read in full here on John Shaqi.
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