Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
The correspondent of Science probably remembered the operations of
David Wyrick, of Newark, who, to prove his theory that the Hebrews were
the mound-builders, discovered in 1860 a tablet bearing on one side a
truculent “likeness” of Moses with his name in Hebrew, and on the other
a Hebrew abridgment of the ten commandments. A Hebrew bible afterwards
found in Mr. Wyrick’s private room threw some light on the inscribed
characters.
As the business of making and selling archæological frauds has become
so extensive in Egypt and Palestine, it can be no matter of surprise
that it has been attempted by the enterprising people of the United
States. The Bureau of Ethnology has discovered several centers of that
fraudulent industry.
Without further pursuing the subject of mercenary frauds, an example
may be mentioned which was brought forth during the researches of
the present writer and his assistant, Dr. Hoffman, which is probably
as good a case of a modern antique in this line as can be presented.
Figure 208 is a copy of a drawing taken from an Ojibwa pipe-stem,
obtained by Dr. Hoffman from an officer of the United States Army, who
had procured it from an Indian in Saint Paul, Minnesota. On a later
and more minute examination, it appeared that the pipe-stem had been
purchased at a store in Saint Paul, which had furnished a large number
of similar objects, so large as to awaken suspicion that they were in
the course of daily manufacture. The figures and characters on the
pipe-stem were drawn in colors. In the present figure, which is without
colors, the horizontal lines represent blue and the vertical red,
according to the heraldic scheme several times used in this paper. The
outlines were drawn in a dark neutral tint, in some lines approaching
black; the triangular characters, representing lodges, being also in
a neutral tint, or an ashen hue, and approaching black in several
instances. The explanation of the figures, made before there was any
suspicion of their real character, is as follows:
[Illustration: FIG. 208.--Specimen of imitated pictograph.]
The first figure is that of a bear, representing the individual to whom
the record pertains. The three hearts above the line, according to an
expression in gesture language, signifies a brave heart; increased
numbers indicating _much_ or _many_, _i. e._, a large brave heart.
The second figure, a circle inclosing a triradiate character, refers
to the personal totem. The character in the middle resembles, to some
extent, the pictograph sometimes found to represent stars, though in
the latter the lines center upon the disks and not at a common point.
The seven triangular characters represent the lodges of a village to
which the individual to whom reference is made belongs.
The serpentine line immediately below these signifies a stream or
river, near which the village is located.
Public-domain text, read in full here on John Shaqi.
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