Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
The two persons holding guns in their left hands, together with another
having a spear, appear to be the companions of the speaker, all of whom
are members of the turtle gens, as shown by that reptile.
The curve from left to right is a representation of the sky, the sun
having appeared upon the left or eastern horizon when the transaction
below mentioned was enacted. In an explanation by gesture, or by
pictograph, the speaker always faces the south, or conducts himself
as if he did so, and begins on the left side to convey the idea of
morning, if day; the hand, or line, is drawn all the way from the
eastern horizon to the western. The above, then, represents the morning
when a female--headless body of a woman--a member of the crane gens,
was killed.
The figure of a bear below is the same apparently as number one, though
turned to the right. The heart is reversed to denote sadness, grief,
remorse, as expressed in gesture-language, and to atone for the misdeed
committed in the proceeding the pipe is brought and offering made to
the “Great Spirit.”
Altogether, the act depicted appears to have been accidental, the woman
belonging to the same tribe, as can be learned from the gens of which
she was a member. The regret or sorrow signified in the bear, next to
the last figure, corresponds with that supposition, as such feelings
would not be congruous to the Indian in the case of an enemy.
The point of interest in this pictograph is, that the figures are
very skillfully copied from the numerous characters of the same kind
representing Ojibwa pictographs, and given by Schoolcraft. The
arrangement of these copied characters is precisely that which would be
natural in the similar work of Indians. In fact, the groups constitute
a thoroughly genuine pictograph, and afford a good illustration of the
manner in which a record can be made. The fact that it was made and
sold under false representations is its objectionable feature.
Public-domain text, read in full here on John Shaqi.
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