Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256 — John Shaqi
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
On a table land near the Gila Bend is a mound of granite bowlders,
blackened by augite, and covered with unknown characters, the work of
human hands. On the ground near by were also traces of some of the
figures, showing some of the pictographs, at least, to have been the
work of modern Indians. Others were of undoubted antiquity, and the
signs and symbols intended, doubtless, to commemorate some great event.
(See Ex. Doc. No. 41, 30th Cong., 1st sess. (Emory’s Reconnaissance),
1848, p. 89; Ill. opposite p. 89, and on p. 90.)
Characters upon rocks, of questionable antiquity, are reported in the
last-mentioned volume, Plate, p. 63, to occur on the Gila River, at 32°
38′ 13″ N. lat., and 109° 07′ 30″ long. [According to the plate, the
figures are found upon bowlders and on the face of the cliff to the
height of about 30 feet.]
The party under Lieutenant Whipple (see Rep. Pac. R. R. Exped., III,
1856, Pt. III, p. 42) also discovered pictographs at Yampais Spring,
Williams River. “The spot is a secluded glen among the mountains. A
high, shelving rock forms a cave, within which is a pool of water and
a crystal stream flowing from it. The lower surface of the rock is
covered with pictographs. None of the devices seem to be of recent
date.”
Many of the country rocks lying on the Colorado plateau of Northern
Arizona, east of Peach Springs, bear traces of considerable artistic
workmanship. Some observed by Dr. W. J. Hoffman, in 1871, were rather
elaborate and represented figures of the sun, human beings in various
styles approaching the grotesque, and other characters not yet
understood. All of those observed were made by pecking the surface of
basalt with a harder variety of stone.
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