Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
simplify and generalize outlines, and being impelled by inherent
mental dispositions to form rythmical repetitions and series, may
be led to produce similar signs and symbols. * * * Some miles from
Encaramada, there rises, in the middle of the savannah, the rock
Tepu-Mereme, or painted rock. It shews several figures of animals and
symbolical outlines which resemble much those observed by us at some
distance above Encaramada, near Caycara, in 7° 5′ to 7° 40′ lat., and
66° 28′ to 67° 23′ W. long. from Greenwich. Rocks thus marked are
found between the Cassiquiare and the Atabapo (in 2° 5′ to 3° 20′
lat.), and what is particularly remarkable, 560 geographical miles
farther to the East in the solitudes of the Parime. This last fact is
placed beyond a doubt by the journal of Nicholas Hortsman, of which I
have seen a copy in the handwriting of the celebrated D’Anville. That
simple and modest traveller wrote down every day, on the spot, what
had appeared to him most worthy of notice, and he deserves perhaps
the more credence because, being full of dissatisfaction at having
failed to discover the objects of his researches, the Lake of Dorado,
with lumps of gold and a diamond mine, he looked with a certain
degree of contempt on whatever fell in his way. He found, on the
16th of April, 1749, on the banks of the Rupunuri, at the spot where
the river winding between the Macarana mountains forms several small
cascades, and before arriving in the district immediately round Lake
Amucu, “rocks covered with figures,”--or, as he says in Portugese,
“de varias letras.” We were shown at the rock of Culimacari, on
the banks of the Cassiquiare, signs which were called characters,
arranged in lines--but they were only ill-shaped figures of heavenly
bodies, boa-serpents, and the utensils employed in preparing manioc
meal. I have never found among these painted rocks (piedras pintadas)
any symmetrical arrangement or any regular even-spaced characters. I
am therefore disposed to think that the word “letras” in Hortsmann’s
journal must not be taken in the strictest sense.
Public-domain text, read in full here on John Shaqi.
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