Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
Rev. J. Owen Dorsey, of the Bureau of Ethnology, reports regarding the
Osages that one mode of obtaining black color for the face consists in
burning a quantity of small willows. When these are charred they are
broken in small pieces and placed in pans, with a little water in each.
The hands are then dipped into the pan and rubbed together, and finally
rubbed over the parts to be colored.
Formerly tattooing was more frequently practiced among the Hidatsa
than at present, the marks being caused by pricking the skin with a
sharp splinter of bone and the application of a paste consisting of
finely-powdered charcoal and water.
The Hualpais, living on the western border of the Colorado Plateau,
Arizona Territory, were found by Dr. Hoffman, in 1871, to decorate
their persons by a disgusting process. Various individuals were
observed who appeared as if their persons had been tattooed in vertical
bands from the forehead to the waist, but upon closer examination it
was found that dark and light bands of the natural skin are produced
in the following manner: When a deer or an antelope has been killed,
the blood is rubbed over the face and breast, after which the spread
and curved fingers--to resemble claws--are scratched downward from
the forehead over the face and over the breast, thus removing some
of the blood; that remaining soon dries, and gives the appearance of
black stripes. The exposed portion of the skin retains the natural
dark-tanned color, while that under the coating of coagulated blood
naturally becomes paler by being protected against the light and air.
These individuals do not wash off such marks of success in the chase,
and after a while the blood begins to drop off by desquamation, leaving
lighter spots and lines, which for a short period of a week or two
appear like tattoo marks.
The Mojave pigments are ocher, clay, and probably charcoal, mingled
with oil. See Pac. R. R. Exped., Vol. III, Pt. III, p. 33.
The colors, at present used by the Indians and obtained from the
traders, consist generally of the following compounds, viz.: vermilion,
red lead, chromate of lead (yellow), Prussian blue, chrome green, ivory
black and lamp black, Chinese white, and oxide of zinc. All of these
are in the form of powder or in crude masses, and are subsequently
prepared for use as required.
IN BRITISH GUIANA.
Everard F. im Thurn, _op. cit._, p. 316, gives the following details:
The dyes used by the Indians to paint their own bodies, and
occasionally to draw patterns on their implements, are red faroah,
purple caraweera, blue-black lana, white felspathic clay, and, though
very rarely, a yellow vegetable dye of unknown origin.
Public-domain text, read in full here on John Shaqi.
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