Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
The ancient Peruvians had no manuscript characters for single sounds;
but they had a method by which they composed words and incorporated
ideas. This method consisted in the dexterous intertwining of knots
on strings, so as to render them auxiliaries to the memory. The
instrument consisting of these strings and knots was called the
QUIPU. It was composed of one thick head or top string, to which,
at certain distances, thinner ones were fastened. The top string
was much thicker than these pendent strings, and consisted of two
doubly twisted threads, over which two single threads were wound.
The branches, if I may apply the term to these pendent strings, were
fastened to the top ones by a single loop; the knots were made in the
pendent strings, and were either single or manifold. The length of
the strings used in making the quipu were various. The transverse or
top string often measures several yards, and sometimes only a foot
long; the branches are seldom more than two feet long, and in general
they are much shorter.
The strings were often of different colors; each having its own
particular signification. The color for soldiers was red; for gold,
yellow; for silver, white; for corn, green, &c. This writing by knots
was especially employed for numerical and statistical tables; each
single knot representing ten; each double knot stood for one hundred;
each triple knot for one thousand, &c.; two single knots standing
together made twenty; and two double knots, two hundred.
This method of calculation is still practiced by the shepherds of the
Puna. They explained it to me, and I could, with very little trouble,
construe their quipus. On the first branch or string they usually
place the numbers of the bulls; on the second, that of the cows;
the latter being classed into those which were milked, and those
which were not milked; on the next string were numbered the calves,
according to their ages and sizes. Then came the sheep, in several
subdivisions. Next followed the number of foxes killed, the quantity
of salt consumed, and, finally, the cattle that had been slaughtered.
Other quipus showed the produce of the herds in milk, cheese, wool,
&c. Each list was distinguished by a particular color, or by some
peculiarity in the twisting of the string.
Public-domain text, read in full here on John Shaqi.
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