Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
Beneath the river are the following objects: The Watse [t]u[k]a, male
slaying animal(?), or morning star, which is a red star. 2. Six stars
called the “Elm rod” by the white people in the Indian Territory. 3.
The evening star. 4. The little star. Beneath these are the moon,
seven stars, and sun. Under the seven stars are the peace pipe and
war hatchet, the latter is close to the sun, and the former and the
moon are on the same side of the chart. Four parallel lines extending
across the chart, represent four heavens or upper worlds through which
the ancestors of the Tsi[c]u people passed before they came to this
earth. The lowest heaven rests on an oak tree: the ends of the others
appear to be supported by pillars or ladders. The tradition, according
to Sa[p]eki¢ĕ, begins below the lowest heaven, on the left side of the
chart, under the peace pipe. Each space on the pillar corresponds with
a line of the chant; and each stanza (at the opening of the tradition)
contains four lines. The first stanza precedes the arrival of the first
heaven, pointing to a time when the children of the “former end” of
the race were without human bodies as well as human souls. The bird
hovering over the arch denotes an advance in the condition of the
people; then they had human souls in the bodies of birds. Then followed
the progress from the fourth to the first heaven, followed by the
descent to earth. The ascent to four heavens and the descent to three,
makes up the number seven.
The tree on which the Tsi[c]u was called pü-sü-hü, jack oak, or a
sort of a red oak. When they alighted, it was on a beautiful day when
the earth was covered with luxuriant vegetation. From that time the
paths of the Osages separated; some marched on the right, being the
war gentes, while those on the left were peace gentes, including the
Tsi[c]u, whose chart this is.
Then the Tsi[c]u met the black bear, called Káxe-wáhü-sa^n´ in the
tradition. Káxe-wáhü-sa^n´, Crow-bone-white in the distance. He offered
to become their messenger, so they sent him to the different stars for
aid. According to the chart he went to them in the following order:
Morning star, sun, moon, seven stars, evening star, little star; but,
according to the chant related, they were as follows: Watse [t]u[k]a
(morning star); Watse mi^n[k]a (female animal that slays another
star); Ha^n-pa[t]a^n-Wakan[t]a (Wakanda or Deity during the day,
the sun); Wakan[t]aha^n ¢iñkce (Deity of the night, moon); Mikak’e
pe¢ŭ^n[p]a, Seven Stars; Ta a[p]¢i^n, Three Deer; Mikak’e tañ[k]a, Big
Star; Mikak’e [c]iñ[k]a, Little Star. Then the Black bear went to the
Wa[c]iñ[k]a-[c]ü[t][s]e, a female red bird sitting on her nest. This
grandmother granted his request. She gave them human bodies, making
them out of her own body.
Public-domain text, read in full here on John Shaqi.
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