The governmental restrictions placed on the use of the camera in ports and about all public buildings, and in many sections of nearly every city, naturally had a tendency to discourage workers, but in spite of all the obstacles in the path of the art photographer the years have not been barren. Some of the older societies have all but ceased to exist, if one can judge by their contributions to the salons. Each year has witnessed new names among the exhibitors at Pittsburgh, and to an already formidable list there are annually added more than enough names to fill the vacancies caused by the dropping of former members who have failed to retain their membership due to non-compliance with the rules which automatically eliminate inactives. After six years of unprecedented success it may safely be said that the Pittsburgh Salon has become a permanent fixture in the world of photographic art and has unquestionably rendered a most valuable service in keeping alive the exhibition spirit. Mention should also be made of the good work done by the Chicago Photo-Fellows, the Buffalo Camera Club, the Photographic Guild of Baltimore, and the Photographic Section of the Pittsburgh Academy of Fine Arts, each one composed of enthusiasts, who loyally support the American and London Salons as well as being active workers in the Pictorial Photographers of America. These societies have been continually engaged in the promotion of inter-club exhibitions as well as in encouraging the circulation of work of individual members. As an educational feature the club interchange has no equal. * PICTORIAL PHOTOGRAPHY IN THE FAR WEST _By_ JOHN PAUL EDWARDS The progress of pictorial photography in the Far West can be aptly compared with the settlement and growth of this big new country itself. We have had our pictorial pioneers, as it were—our hard-working, enthusiastic, rather crude first settlers in the art; now we have come to the stage of permanent abode, with traditions, albeit young, great enthusiasm, definite ideals, and ambitious hopes for the future. The one great asset in the upbuilding of the West has been boundless enthusiasm. This characteristic trait dominates the very soul of the Western pictorialist. In it lies his greatest hope for the future progress in his chosen field of art. It is this live energy and enthusiasm which brings him out afield even before break of day, which leads him over hill and dale, mountain and valley, in his insatiable quest for the pictorial. Miles are as nothing; hunger stays him not; nor rests he at night until his potential treasures are developed and their beauties appraised.