Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
The tree at the top represents the tree of life. By this flows
a river. The tree and the river are described later in the degrees.
When a woman is initiated she is required by the head of her gens to
take four sips of water (symbolizing the river), then he rubs cedar
on the palms of his hands, with which he rubs her from head to foot.
If she belongs to a gens on the left side of a tribal circle, her
chief begins on the left side of her head, making three passes, and
pronouncing the sacred name three times. Then he repeats the process
from her forehead down; then on the right side of her head; then at
the back of her head; four times three times, or twelve passes in
all.
Beneath the river are the following objects: The Watse ʇuʞa,
male slaying animal (?), or morning star, which is a red star. 2.
Six stars called the “Elm rod” by the white people in the Indian
territory. 3. The evening star. 4. The little star. Beneath these
are the moon, seven stars, and sun. Under the seven stars are the
peace pipe and war hatchet; the latter is close to the sun, and the
former and the moon are on the same side of the chart. Four parallel
lines extending across the chart, represent four heavens or upper
worlds through which the ancestors of the Tsiↄu people passed before
they came to this earth. The lowest heaven rests on an oak tree; the
ends of the others appear to be supported by pillars or ladders. The
tradition begins below the lowest heaven, on the left side of the
chart, under the peace pipe. Each space on the pillar corresponds
with a line of the chant; and each stanza (at the opening of the
tradition) contains four lines. The first stanza precedes the
arrival of the first heaven, pointing to a time when the children of
the “former end” of the race were without human bodies as well as
human souls. The bird hovering over the arch denotes an advance in
the condition of the people; then they had human souls in the bodies
of birds. Then followed the progress from the fourth to the first
heaven, followed by the descent to earth. The ascent to four heavens
and the descent to three, makes up the number seven.
When they alighted, it was on a beautiful day when the earth was
covered with luxuriant vegetation. From that time the paths of the
Osages separated; some marched on the right, being the war gentes,
while those on the left were peace gentes, including the Tsiↄu,
whose chart this is.
Then the Tsiↄu met the black bear, called in the tradition
Káxe-wáhü-sa^n' (Crow-bone-white), in the distance. He offered to
become their messenger, so they sent him to the different stars for
aid. According to the chart he went to them in the following order:
Morning star, sun, moon, seven stars, evening star, little star.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account